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Ghost Machine

A Filmmaker's Optical Image Processor

Dados Bibliográficos

ID10284741
AutoresAldo d'Angelo, Lilias Green
Ano1993
Volume26
Fascículo1
Páginas23
Data de publicação1993-01-01
Open AccessNão
TipoARTICLE
PeriódicoLeonardo (JOURNAL)
Identificadores do periódicoISSN: 0024-094X • E-ISSN: 1530-9282
EditoraJSTOR (PUBLISHER)
DOI10.2307/1575775
OpenAlexW2318952609
IdiomaEN
Referências citadas3

The author describes how his interest in form and light relates to mathematics. His use of a modest optical computer, based on the Fourier transform system, to construct images for films and two- and three-dimensional artworks is discussed. Studies in the mechanics of visual perception, of optics and of certain mathematical models and ideas have influenced his artistic experiments. He uses lasers and image-processing techniques to visualize some physical and mental phenomena—turbulence on soap film, topological transformations, chaos and dreams. In these, mathematical and aesthetic criteria have been of equal importance in his choice of tools, techniques and images

Art · Art history · Computer graphics (images) · Computer vision · Film director · Image (mathematics) · Movie theater · Optics · Physics · Artificial Intelligence · Computer Science · Materials Science · Philosophy and History of Science · Quantum Mechanics and Applications · Slime Mold and Myxomycetes Research

  • The unconscious as infinite sets

    Ignacio Matte Blanco•The unconscious as infinite sets•1998

  • The Search for 'Real' Form

    Aldo d'Angelo•Leonardo•1989

  • Impossible' Forms

    Tamas F Farkas, Peter Erdi•Leonardo•1985

Altamente citadoNão

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