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A little fiction

Person, time and dimension in Raúl Ruiz's figural cinema

Dados Bibliográficos

ID11417543
AutoresAdrian Martins (0000-0003-2916-7712), Adrian Martin (0000-0002-7964-8453, IIE MSA, autor correspondente)
Ano2015
Volume29
Fascículo5
Páginas689-701
Data de publicação2015-09-03
Peer ReviewedSim
Open AccessNão
TipoARTICLE
PeriódicoCritical Arts (JOURNAL)
Identificadores do periódicoISSN: 0256-0046 • E-ISSN: 1992-6049
EditoraInforma UK Limited (PUBLISHER • GB)
DOI10.1080/02560046.2015.1125098
OpenAlexW2276562277
IdiomaEN
Referências citadas10

When Chilean-born Raúl Ruiz (1941–2011) came to adapt Proust's Time Regained in 1999, he hit upon the idea of using three actors to play three Prousts (as child, as adult and as narrator), and to combine them, at times, in the same frame. This was, in fact, the fruit of long-term exploration in his career: already a key element in his television series Manoel on the Island of Marvels (1984), and persisting to his final work, Night Across the Street (2012). Ruiz had an unusual conception of time, actuality and character: such multiple incarnations had little to do with subjective memory, and everything to do with experimental physics on one hand, and modernity on the other. This article will explore, through several examples, the profoundly figural conception of character in Ruiz's cinema

Aesthetics · Art · Art history · Character (mathematics · Dimension (graph theory · Element (criminal law · Epistemology · Frame (networking · Key (lock · Modernity · Movie theater · Political science · Sociology · Cinema History and Criticism · Computer Science · History · Law · Philosophy

  • The Cinema of Raúl Ruiz

    Michael Goddard•Cinema of Raúl Ruiz•2013

  • The interpretation of dreams.

    Sigmund Freud, Joyce Crick et al.•The interpretation of dreams•1913

  • Nietzsche and the Vicious Circle

    Stuart Kendall, The Nietzsche Society•New Nietzsche Studies•1998

  • Albert Einstein

    J L Synge•The Journal of Higher Education•1950

Velocidade de citaçãohistorical
Altamente citadoNão
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