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Landscape Travelled by Coyote and Crane

The World of the Schitsu'umsh (Coeur d'Alene Indians) (review)

Dados Bibliográficos

ID11630207
AutoresJay Hansford C Vest (autor correspondente), Jay Hansford C Vest Jay Hansford C Vest
Ano2008
Volume32
Fascículo4
Páginas547-548
Data de publicação2008-01-01
Peer ReviewedSim
Open AccessNão
TipoARTICLE
PeriódicoThe American Indian Quarterly (JOURNAL)
Identificadores do periódicoISSN: 0095-182X • E-ISSN: 1534-1828
EditoraJSTOR (PUBLISHER)
DOI10.1353/aiq.0.0027
OpenAlexW1984943013
IdiomaEN

Reviewed by: Landscape Travelled by Coyote and Crane: The World of the Schitsu'umsh (Coeur d'Alene Indians) Jay Hansford C. Vest Rodney Frey in collaboration with the Schitsu'umsh. Landscape Travelled by Coyote and Crane: The World of the Schitsu'umsh (Coeur d'Alene Indians). Seattle: University of Washington Press, 2001. 329 pp. Paper, $22.50. In Landscape Travelled by Coyote and Crane anthropologist Rodney Frey has created a master work of understanding indigenous tradition. Initially, as I began reading the book, I was particularly pleased with Frey's organic organization. Unlike most ethnographic works transcribing a Native people's traditions and lifeways, Frey organizes the text around the landscape and immerses the reader in the oral traditions born of nature. Conversely, the research considerations—conceptual framework, ethnographic theory, methods, and sources—are appropriately relegated to an appendix at the end of the text. Given the longstanding scholarly pattern of obscuring Native tradition within the abstractions of academic anthropology, it is a refreshing change that Frey relies upon in an organic collaboration with the elders of the Schitsu'umsh, or Coeur d'Alene Tribe. The result is a remarkable narrative in which oral traditions and lived experience announce an unprecedented authenticity in scholarship. In the ritual narrative offering Frey records the story of Crane and Coyote with the other First Peoples who prepared the land for the Schitsu'umsh, "the ones that were found here" (3–5). In this and subsequent narratives Frey acknowledges Native perspectives and teachings conveyed through oral traditions. Among these teachings there is first the notion that "the landscape is spiritually created and endowed" (9). Second, there is an "understanding that the landscape is inhabited by a multitude of 'Peoples' all of whom share in a common kinship" (10). As kinship defines the structural relationship of the peoples, Frey notes in the third teaching that the dynamic that serves to bind "members of Schitsu'umsh family is an ethic of sharing" (10). In this case the "gifts" bestowed on the landscape—such as the deer, camas, and qhasqhs—by the Creator and the First Peoples are to be shared freely with those in need. In this fourth teaching these gifts are to be respected and not to be abused (12). "The fifth and final teaching encompasses" what Frey calls an "ethic of competition." By this he means that the Schitsu'umsh family does have geographic and social boundaries (12–13). As a result, the focus is upon interrelations among the Schitsu'umsh family. In Frey's estimation these teachings are expressed in an ethnographic framework of oral, ceremonial, and social traditions among the Schitsu'umsh. As such, there are six specific traditions that Frey identifies among the people. In the first case there is storytelling with oral narration of "the accounts of Crane and Coyote and other First Peoples. In the act of storytelling," Frey [End Page 547] notes, "a landscape is perpetuated and the teachings of the First Peoples disseminated" (13). A second tradition of song and dance, the powwow, provides an opportunity "to celebrate and renew kinship with the landscape" (13). In the third case there is "an assortment of rituals associated with gathering and hunting, and the distribution of such foods as camas, huckleberries, and venison" (13). The fourth and fifth traditions are manifest in the Jump Dance and Sweat House rituals as they communicate family needs, heal sufferings, and "help maintain the vitality of the landscape" (13). The Memorial Giveaway comprises the sixth tradition as it allows sorrow to "fly away" when resolving death in communal meaning. Furthermore, "it prepares for the eventual reuniting of an entire family back into the landscape" (14). In this framework Frey notes the continuity and variation of Schitsu'umsh tradition as it is grounded in the landscape traveled by Crane and Coyote. [End Page 548] Jay Hansford C. Vest University of North Carolina at Pembroke Copyright © 2008 University of Nebraska Press

Art · Art history · Ethnography · Ethnology · Indigenous · Literature · Narrative · Reading (process · Scholarship · Sociology · Tribe · Anthropology · Archaeology and Natural History · Ecology · History · Indigenous Studies and Ecology · Law · Philosophy

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