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Collecting the sea shanty

British maritime identity and Atlantic musical cultures in the early twentieth century

Dados Bibliográficos

ID12123766
AutoresGraeme J Milne (University of Liverpool, autor correspondente)
Ano2017
Volume29
Fascículo2
Páginas370-386
Data de publicação2017-05-01
Open AccessSim
TipoARTICLE
PeriódicoInternational Journal of Maritime History (JOURNAL)
Identificadores do periódicoISSN: 0843-8714 • E-ISSN: 2052-7756
EditoraSAGE Publishing (PUBLISHER • US)
DOI10.1177/0843871417693997
OpenAlexW2612467450
IdiomaEN
Citações recebidas1

This article explores an important phase in the survival of the sea shanty as a collected, recorded and documented musical form. The final demise of the sailing ship as an economic mode of transport in the early twentieth century inspired a plethora of books and memoirs celebrating the age of sail, and many authors focused on the sea shanty. Collectors debated the accuracy of written versions, the sanitisation of lyrics and the likely origins of particular songs, trying to establish both the ‘authentic’ shanty, and their own varied maritime qualifications for writing about it. The shanty also became important to wider debates about national identity, with its multicultural origins sitting awkwardly with the mainstream folk movement’s search for an English musical tradition

Aesthetics · Art · Art history · Demise · Identity (music · Literature · Lyrics · Mainstream · Memoir · Multiculturalism · Musical · Political science · Sociology · Folklore, Mythology, and Literature Studies · History · Law · Music History and Culture · Philippine History and Culture

  • Singing to St. Nicholas at Sea

    Open Access•Mary Channen Caldwell•Religions•2025

Citações por ano1
Intervalo de citações2025 - 2025 (1)
Altamente citadoNão

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