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Nodal humor in comic narrative

A semantic analysis of two stories by Twain and Wodehouse

Dados Bibliográficos

ID12196293
AutoresChristopher Holcomb (University of South Carolina, autor correspondente)
Ano1992
Volume5
Fascículo3
Páginas233-250
Data de publicação1992-01-01
Open AccessNão
TipoARTICLE
PeriódicoHumor - International Journal of Humor Research (JOURNAL)
Identificadores do periódicoISSN: 0933-1719 • E-ISSN: 1613-3722
EditoraDe Gruyter Mouton (PUBLISHER • DE)
DOI10.1515/humr.1992.5.3.233
OpenAlexW2000911734
IdiomaEN
Citações recebidas4
Referências citadas1

This paper shows that a semantic theory of humor offers, despite assertions to the contrary, an adequate description of how particular instances of humor are linked to the narrative in which they appear. After Victor Raskin's script-based semantic theory of humor is summarized, and adopted as the starting point of the analysis in this paper, the humor in two short stories is described in terms of their semantic properties. In this paper, humor is said to reside not simply in jokes but in joke-like constructions, for which the term "nodal points of humor" is used. These nodes can be identified by the presence of a semantic script opposition which is evoked, either explicitly or implicitly. Moreover, the scripts tat characterize a node as humorous are the same as those that make the nodes coherent with the rest of the narrative. In the last section of this paper, generalizations are made about the pattern of script activation and reactivation in both stories

Art · Comics · Linguistics · Literature · Narrative · Narratology · Scripting language · Computer Science · Discourse Analysis in Language Studies · Language, Metaphor, and Cognition · Linguistics and Discourse Analysis · Philosophy

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Citações por ano0,16
Intervalo de citações2001 - 2026 (26)
Altamente citadoNão
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