Michael Jackson, black modernisms, and ‘the ecstasy of communication’

(1989). Michael Jackson, black modernisms, and ‘the ecstasy of communication’. Third Text: Vol. 3, No. 7, pp. 11-22

Art · Art history · Ecstasy · Sociology · Anthropology · Cultural Studies and Postmodernism · Music History and Culture · Nostalgia and Consumer Behavior

• “I Ain't Scared of No Sheets”: Re-Screening Black Masculinity in Michael Jackson's Black or White

  Open Access•Joseph Henry Vogel, Joseph Vogel•Journal of Popular Music Studies•2015

  Incluir item

• Aspects of Textual Continuity Linguistic Approaches

  Michel Charolles, Marie‐France Ehrlich et al.•Text and text processing•1991

  Incluir item

• Queer figurations in the media

  J N Erni•Critical Studies in Mass…•1998

  Incluir item

• Michael Jackson's Queer Musical Belongings

  Susan Fast•Popular Music & Society•2012

  Incluir item

• Figures in Black

  Jr Henry Louis Gates•Figures in Black•1987

  Incluir item

• The Anti-aesthetic

  Hal Foster•The Anti-aesthetic•1989

  Incluir item

• Powers of Horror

  Julia Kristeva, Leon S Roudiez•Powers of Horror•2024

  Incluir item

• Black Culture and Black Consciousness

  Lawrence W Levine•Black culture and Black…•2007

  Incluir item

• Figures in Black

  Mark Lawrence Mcphail, Henry Louis Gates•MELUS Multi-Ethnic Literature of…•1987

  Incluir item

• Regarding Postmodernism. A Conversation with Fredric Jameson

  Anders Stephanson•Social Text•1987

  Incluir item