The Best for the Most’
Cema and State Sponsorship of the Arts in Wartime, 1939–1945
Dados Bibliográficos
| ID | 12239273 |
|---|---|
| Autores | F M Leventhal (autor correspondente) |
| Ano | 1990 |
| Volume | 1 |
| Fascículo | 3 |
| Páginas | 289-317 |
| Data de publicação | 1990-01-01 |
| Peer Reviewed | Sim |
| Open Access | Não |
| Tipo | ARTICLE |
| Periódico | Twentieth Century British History (JOURNAL) |
| Identificadores do periódico | ISSN: 0955-2359 • E-ISSN: 1477-4674 |
| Editora | Oxford University Press (OUP) (PUBLISHER) |
| DOI | 10.1093/tcbh/1.3.289 |
| OpenAlex | W1966494372 |
| Idioma | EN |
| Citações recebidas | 11 |
‘The Best for the Most’: CEMA and State Sponsorship of the Arts in Wartime, 1939–1945 Get access F. M. LEVENTHAL F. M. LEVENTHAL Boston University Search for other works by this author on: Oxford Academic Google Scholar Twentieth Century British History, Volume 1, Issue 3, 1990, Pages 289–317, https://doi.org/10.1093/tcbh/1.3.289 Published: 01 January 1990
Art · Art history · Economic history · Political science · State (computer science · The arts · Visual arts · Art History and Market Analysis · Computer Science · Historical Art and Culture Studies · Scottish History and National Identity · History
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State, Intelligentsia and the Promotion of National Culture in Britain, 1939-45
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Uses of civilising claims
| Obras citantes distintas | 11 |
|---|---|
| Citações por ano | 0,33 |
| Intervalo de citações | 1993 - 2025 (33) |
| Velocidade de citação | recent |
| Altamente citado | Não |
| Tipos de citação | Neutras: 11 |