Red and Yellow Songs
A Historical Analysis of the Use of Music by the United Front for Democracy against Dictatorship (UDD) and the People's Alliance for Democracy (PAD) in Thailand
Dados Bibliográficos
| ID | 12304878 |
|---|---|
| Autores | James Mitchell (0000-0003-0532-4568, Faculty of Media, autor correspondente) |
| Ano | 2011 |
| Volume | 19 |
| Fascículo | 3 |
| Páginas | 457-494 |
| Data de publicação | 2011-09-01 |
| Peer Reviewed | Sim |
| Open Access | Sim |
| Tipo | ARTICLE |
| Periódico | South East Asia Research (JOURNAL) |
| Identificadores do periódico | ISSN: 0967-828X • E-ISSN: 2043-6874 |
| Editora | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.5367/sear.2011.0058 |
| OpenAlex | W2027082621 |
| Idioma | EN |
| Citações recebidas | 5 |
| Referências citadas | 17 |
The increase in social protests in Thailand since 2005 has been marked by a dramatic rise in the use of music for protest. This article examines the use of music by the yellow and red shirts, and contextualizes the PAD and UDD within the history of two similarly named but very different genres of Thai song: phleng chiwit [life songs] and phleng phuea chiwit [songs for life]. Phleng chiwit was part of a flowering of satirical art forms during Field Marshall Plaek Phibunsongkhram's second term as Prime Minister (1948–57) before censorship forced many songwriters to change to the new commercial genre of lukthung [Thai country song]. Phleng phuea chiwit was the preferred music of leftist students in the pro-democracy movement of the 1970s. However, the rehabilitation of phleng phuea chiwit as the official Thai protest genre has disguised the role that lukthung played during the armed struggle of the Communist Party of Thailand (CPT). The article examines the use of satirical songs and lukthung during Thailand's most recent political struggle, from 2005 to the present. It appears that red-shirt protestors (the UDD) have accessed a wide range of memories, including the most powerful counter-hegemonic traditions, whereas their yellow-shirt opponents (the PAD) have drawn on a much narrower selection of hegemonic cultural memories
Alliance · Democracy · Dictatorship · Front (military · Geography · Media studies · Meteorology · Political science · Politics · Sociology · Cambodian History and Society · History · Law · Southeast Asian Sociopolitical Studies · Vietnamese History and Culture Studies
Programming beauty and the absence of Na Lao
Political Decentralisation and the Resurgence of Regional Identities in Thailand
Songs for Life
Medieval Pilgrims and the Origins of Tourism
Constructions of Nation and the Classicisation of Music
Sorapet Pinyoo and the status of pleeng luuk tung
Contesting Isan‐ness
Lukthung
From Country Hick to Rural Hip
Traditional Music of the Lao Kaen Playing and Mawlum Singing in Northeast Thailand
Commercialising the sound of the people
Isan
Student Protest and Political Change in Thailand
Songs of Persuasion
Speech Melody and Song Melody in Central Thailand
| Obras citantes distintas | 5 |
|---|---|
| Citações por ano | 0,63 |
| Intervalo de citações | 2018 - 2025 (8) |
| Velocidade de citação | recent |
| Altamente citado | Não |
| Tipos de citação | Neutras: 4 |