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China’s Push for Greater Influence in the Popular Culture Arena

The Ip Man Saga

Dados Bibliográficos

ID12349195
AutoresJukka Aukia (0000-0002-3472-079X, University of Turku, autor correspondente)
Ano2022
Volume47
Fascículo1
Páginas134-151
Data de publicação2022-02-27
Peer ReviewedSim
Open AccessSim
TipoARTICLE
PeriódicoAsian Studies Review (JOURNAL)
Identificadores do periódicoISSN: 1035-7823 • E-ISSN: 1467-8403
EditoraRoutledge (PUBLISHER • GB)
DOI10.1080/10357823.2022.2041552
OpenAlexW4214634547
IdiomaEN
Citações recebidas6
Referências citadas40

This article offers a critical analysis of four kung fu films that were co-produced by Hong Kong and Mainland China and depict the legend of Ip Man, Bruce Lee’s teacher. It discusses different representations in the Ip Man saga, and argues that while othering Japan and the West, the Chinese self is depicted in the saga as a benevolent but powerful actor. The texts of the films are thus found to echo past and present Mainland identity narratives and to be connected to the Mainland’s push for soft power. The article links popular culture to politics by showing how political narratives are made attractive at an everyday level, thus contributing to the literature on identity and soft power

Aesthetics · Art · China · Identity (music · Legend · Literature · Mainland · Mainland China · Media studies · Narrative · Political science · Politics · Popular culture · Power (physics · Sociology · Soft power · Gender Studies · History · Hong Kong and Taiwan Politics · Japanese History and Culture · Law · Socioeconomic Development in Asia

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Obras citantes distintas6
Citações por ano2
Intervalo de citações2023 - 2026 (4)
Velocidade de citaçãocurrent
Altamente citadoNão
Tipos de citaçãoNeutras: 5
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