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Miyazaki Hayao and the Aesthetics of Imagination

Nostalgia and Memory in Spirited Away

Dados Bibliográficos

ID12349793
AutoresAlistair Swale (0000-0001-8808-1965, University of Waikato, autor correspondente)
Ano2015
Volume39
Fascículo3
Páginas413-429
Data de publicação2015-07-03
Peer ReviewedSim
Open AccessNão
TipoARTICLE
PeriódicoAsian Studies Review (JOURNAL)
Identificadores do periódicoISSN: 1035-7823 • E-ISSN: 1467-8403
EditoraRoutledge (PUBLISHER • GB)
DOI10.1080/10357823.2015.1056086
OpenAlexW1479801112
IdiomaEN
Citações recebidas2
Referências citadas12

Miyazaki Hayao has achieved international renown for a succession of feature-long animations that have been noted for their visual flair and highly imaginative world-constructs. Many of the narratives in these films have been situated in fantasy worlds with often only a tenuous representation of the world as experienced in some conventional contemporary (or historical) sense. Yet beyond the surface of these figures and fantastical plot devices there is a clearly discernible stream of engagement with the past. Focusing primarily on Sen to Chihiro no Kamikakushi (Spirited Away) of 2001, this paper critically engages with the leading commentaries on nostalgia and memory in Miyazaki's work, contrasting the "culturalist" approach of Susan Napier with the "machinic" approach of Thomas Lamarre. In turn, the aesthetic theory of R.G. Collingwood, in particular his concept of "magic", is employed to demonstrate how certain aesthetic devices within the film facilitate an imaginative engagement with the past, one that is subtle but nonetheless highly evocative of distinctive nostalgic emotions

Aesthetics · Animation · Art · Fantasy · Literature · MAGIC (telescope · Narrative · Plot (graphics · Representation (politics · Situated · Sociology · Visual arts · Cinema and Media Studies · Computer Science · Japanese History and Culture · Media, Gender, and Advertising

  • La popularidad de las heroínas anime de Hayao Miyazaki y Satoshi Kon (2004-2021)

    Open Access•Daniel Villa Gracia, Víctor Cerdán Martínez•Investigaciones Feministas•2022

  • Artificial flavors

    Reijiro Aoyama, Royce Ng•Cultural Studies•2024

  • Anime from Akira to Princess Mononoke

    Open Access•Susan Napier, Susan Jolliffe Napier•Anime : From Akira to Princess…•2001

  • Civilization and Monsters

    Takashi Fujitani, Gerald Figal•The American Historical Review•2001

  • Matter Out of Place

    Susan Napier, Susan Jolliffe Napier•Journal of Japanese Studies•2006

  • Nostalgia critique

    Tannock, Stuart Tannock•Cultural Studies•1995

  • Discourses of the Vanishing

    Marilyn Ivy•Discourses of the vanishing•1995

  • The Symbolic, the Sublime, and Slavoj Zizek's Theory of Film

    Open Access•Matthew Flisfeder•Symbolic, the Sublime, and Slavoj…•2012

  • From animation to anime

    Thomas Lamarre•Japan Forum•2002

  • Collingwood'S 'Performance' Theory Of Art

    David Davies•The British Journal of Aesthetics•2008

Obras citantes distintas2
Citações por ano0,5
Intervalo de citações2022 - 2024 (3)
Velocidade de citaçãorecent
Altamente citadoNão
Tipos de citaçãoNeutras: 2
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