Books in review
Dados Bibliográficos
| ID | 12370192 |
|---|---|
| Autores | Elizabeth C Fine (0000-0001-5552-0685, Virginia Tech, autor correspondente), Howard Averback (Emerson College), D Soyini Madison (University of North Carolina at Chapel Hill), Ginner Renner (East Tennessee State University) |
| Ano | 1995 |
| Volume | 15 |
| Fascículo | 1 |
| Páginas | 68-77 |
| Data de publicação | 1995-01-01 |
| Peer Reviewed | Sim |
| Open Access | Não |
| Tipo | ARTICLE |
| Periódico | Text and Performance Quarterly (JOURNAL) |
| Identificadores do periódico | ISSN: 1046-2937 • E-ISSN: 1479-5760 |
| Editora | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/10462939509366106 |
| OpenAlex | W4242149214 |
| Idioma | EN |
BODY, MOVEMENT, AND CULTURE: KINESTHETIC AND VISUAL SYMBOLISM IN A PHILIPPINE COMMUNITY. By Sally Ann Ness. Philadelphia: University of Pennsylvania Press, 1992, pp. xii‐292; paper $16.95. ON EDGE: PERFORMANCE AT THE END OF THE TWENTIETH CENTURY. By C. Carr. Hanover, NH, and London: University Press of New England/Wesleyan University Press, 1993; pp. xxii‐333; $40.00; paper $16.95. THEATRE, THEORY, POSTMODERNISM. By Johannes Birringer. Bloomington and Indianapolis: Indiana University Press, 1991; pp. xiv‐235; $39.95; paper $10.95. PERFORMANCE, CULTURE, AND IDENTITY. Edited by Elizabeth C. Fine and Jean Haskell Speer. Westport: Praeger, 1992; pp. 1–303; $47.95. JACK IN TWO WORLDS: CONTEMPORARY NORTH AMERICAN FOLKTALES AND THEIR TELLERS. Edited by William Bernard McCarthy. Publications of the American Folklore Society, New Series. Chapel Hill: University of North Carolina Press, 1994; pp. ix‐290; $45.00; $16.95; paper
Art · Art history · Carr · Chapel · Culture of the United States · Folklore · Literature · Media studies · Performance art · Performance studies · Postmodernism · Sociology · Alexander von Humboldt Studies · Anthropology · Classics · Folklore, Mythology, and Literature Studies · History · Themes in Literature Analysis
| Velocidade de citação | historical |
|---|---|
| Altamente citado | Não |