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Allegory, applicability or alibi? Historicizing intolerance in Ettore Scola's Concorrenza sleale

Dados Bibliográficos

ID12547868
AutoresGiacomo Lichtner (0000-0002-1432-9654, Victoria University, autor correspondente)
Ano2011
Volume17
Fascículo1
Páginas92-105
Data de publicação2011-12-03
Peer ReviewedSim
Open AccessNão
TipoARTICLE
PeriódicoJournal of Modern Italian Studies (JOURNAL)
Identificadores do periódicoISSN: 1354-571X • E-ISSN: 1469-9583
EditoraRoutledge (PUBLISHER • GB)
DOI10.1080/1354571x.2012.628106
OpenAlexW2062661596
IdiomaEN
Citações recebidas1
Referências citadas7

In 2001, renowned Italian filmmaker Ettore Scola released his film Concorrenza sleale. Upon its release, Scola stated repeatedly that his historical film about the anti-Jewish legislation of 1938 aspired to go beyond the historical setting in order to convey acritique of intolerance in contemporary Italian society. Moving from an analysis ofthe film's evolution from script to post-production, this article offers a textual and contextual analysis of Concorrenza sleale, investigating its relationship both to the period the film seeks to represent and to the time of its production. Questioning both the allegorical ambitions of the film and the political implications of historicizing the issue of racism in Italy, this article argues that Scola's film is ultimately unable to abandon the italiani brava gente template, thus leaving its ambitious questions about Italian attitudes towards the other not only unanswered, but also unasked. Keywords: Italian cinemafascismanti-Semitismconformismxenophobia Notes We might recall here Natalia Ginzburg's note to Primo Levi accompanying Einaudi's rejection of his manuscript in 1946 (Anissimov 1998: 261)

Aesthetics · Alibi · Allegory · Archaeology · Art · Art history · Judaism · Legislation · Literature · Order (exchange · Political science · Politics · Punk · Sociology · Vampire · European history and politics · History · Italian Fascism and Post-war Society · Law

  • That latent sense of otherness

    Open Access•Giacomo Lichtner•Modern Italy•2018

  • Italian Film in the Shadow of Auschwitz

    Millicent Marcus•Italian Film in the Shadow of…•2009

  • The question of Fascist Italy's war crimes

    Filippo Focardi, Lutz Klinkhammer•Journal of Modern Italian Studies•2004

  • War, Totalitarianism and ‘Deep Belief’ in Fascist Italy, 1935-43

    Open Access•R J B Bosworth, Richard Bosworth•European History Quarterly•2004

  • The Italians and the Holocaust

    Fritz Stern, Susan Zuccotti et al.•Foreign Affairs•1987

  • Visions of the Past. The Challenge of Film to Our Idea of History

    Christian Delage, Robert A Rosenstone•Vingtième Siècle Revue d histoire•1996

Obras citantes distintas1
Citações por ano0,13
Intervalo de citações2018 - 2018 (1)
Velocidade de citaçãohistorical
Altamente citadoNão
Tipos de citaçãoNeutras: 1
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