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Sarah and Hagar in Ibn 'Asākir's History of Damascus

Dados Bibliográficos

ID12617331
AutoresJames Lindsay (Colorado State University, autor correspondente)
Ano2007
Volume14
Fascículo1
Páginas1-14
Data de publicação2007-01-01
Peer ReviewedSim
Open AccessNão
TipoARTICLE
PeriódicoMedieval Encounters (JOURNAL)
Identificadores do periódicoISSN: 1380-7854 • E-ISSN: 1570-0674
EditoraBrill (PUBLISHER • NL)
DOI10.1163/138078507x254622
OpenAlexW1980735677
IdiomaEN

This article examines how Ibn 'Asākir (1105-76)—in keeping with the well-established fadā' il al-Shām (merits of bilād al-Shām) tradition—fashions portraits of Sarah and Hagar in his Ta'rīkh madīnat Dimashq (History of Damascus) to extol their special role in the sacred history of God working through his human agents in Syria's past. As is the case in his biographies of other sacred and pious figures in Syria's past, Ibn 'Asākir's biographies of Sarah and Hagar are also intended to provide a moral example as well as pious inspiration for the faithful

Art · Art history · Literature · Medieval history · Portrait · Archaeology and Historical Studies · Classics · Eurasian Exchange Networks · History · Islamic Studies and History · Philosophy

Velocidade de citaçãohistorical
Altamente citadoNão
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