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Interrogating the Ethics and Intentions of Family Life Writing Relating to the Holocaust

Dados Bibliográficos

ID12648336
AutoresTess Scholfield-Peters (0000-0002-7853-7137, University of Technology Sydney, autor correspondente)
Ano2022
Volume20
Fascículo1
Páginas61-77
Data de publicação2022-09-15
Open AccessNão
TipoARTICLE
PeriódicoLife Writing (JOURNAL)
Identificadores do periódicoISSN: 1448-4528 • E-ISSN: 1751-2964
EditoraRoutledge (PUBLISHER • GB)
DOI10.1080/14484528.2022.2120847
OpenAlexW4296127302
IdiomaEN
Citações recebidas1
Referências citadas15

The Holocaust and its representation are the subject of acute historical, academic and artistic study. The dominant channels of representation tend to perpetuate popularised narratives and fictionalise in ways that are often irresponsible and unethical, designed to captivate audiences at the expense of accuracy and respect for the trauma of victims. It is crucial that non-witnesses who seek to write about the Holocaust period interrogate the ethics of, and intentions for, their practice. In this paper I analyse my own experience as a third-generation writer—the grandchild of a survivor—and two case study texts: An Exclusive Love (2010) by Johanna Adorján, and A Certain Light (2018) by Cynthia Banham, to illustrate how writers at a three-generation remove from the Holocaust engage with their grandparents’ Holocaust story ethically. In these works of memoir, empathy and memory are problematised in relation to the Holocaust’s lingering presence in family narrative. Imaginative projection—derived from deep research, memory, and empathic response—functions in these memoirs as a bridging device between past and present. Such key characteristics as transparent and reflexive narrative voice, documented research process, and informed, imaginative projection are, I argue, exemplary of an ethical approach to family Holocaust history

Aesthetics · Art · Developmental psychology · Empathy · Grandparent · Literature · Memoir · Narrative · Political science · Politics · Psychoanalysis · Reflexivity · Representation (politics · Social science · Sociology · Storytelling · The Holocaust · Autobiographical and Biographical Writing · Law · Memory, Trauma, and Commemoration · Oral History, Memory, Narrative Analysis · Psychology · Social Psychology

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  • Speaking With the Dead

    Jürgen Pieters•Speaking with the Dead•2005

  • Memoir

    G Thomas Couser•Memoir•2012

  • Third-generation Holocaust narratives

    Maria Roca Lizarazu•Holocaust Studies•2017

  • In the shadows of memory

    Maria Roca Lizarazu•Holocaust Studies•2016

  • What's Wrong With This Picture

    Marianne Hirsch, Leo Spitzer•Journal of Modern Jewish Studies•2006

  • Intimacy in research

    Open Access•Carolyn Steedman•History of the Human Sciences•2008

  • Writing history, writing trauma

    Dominick Lacapra•Writing History, Writing Trauma•2001

  • Past Lives

    Marianne Hirsch•Poetics Today•1996

Citações por ano1
Intervalo de citações2025 - 2025 (1)
Altamente citadoNão

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