Contesting the digital economy and culture
Digital technologies and the transformation of popular music in Korea
Dados Bibliográficos
| ID | 12671969 |
|---|---|
| Autores | Jung‐yup Lee (Schlumberger (Ireland), autor correspondente) |
| Ano | 2009 |
| Volume | 10 |
| Fascículo | 4 |
| Páginas | 489-506 |
| Data de publicação | 2009-11-16 |
| Peer Reviewed | Sim |
| Open Access | Não |
| Tipo | ARTICLE |
| Periódico | Inter-Asia Cultural Studies (JOURNAL) |
| Identificadores do periódico | ISSN: 1464-9373 • E-ISSN: 1469-8447 |
| Editora | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/14649370903166143 |
| OpenAlex | W1997071081 |
| Idioma | EN |
| Citações recebidas | 24 |
| Referências citadas | 28 |
This paper examines the changes brought by digital technologies in the cultural economy of music in Korea. First, I look at how digital technologies forced the reorganization of the music industry. The dominant technological mediation of the ‘idol star system’ in the late 1990s gave way to industrial reorganization toward concentration and integration across the information and communications technologies (ICTs) industries and the media/entertainment industries. Second, I discuss how digital technologies impact on the way we experience music. I suggest that digital technologies accelerate personal and social uses of music and contribute to a diversified music culture. Finally, I discuss how the digital culture of music is framed by, and is linked with the industrial rearrangement. I suggest that the ongoing digitalization radically transforms how we conceive the music industry, and renders the nature of music redefined and contested
Art · Culture industry · Digital audio · Digital economy · Digital media · Digital transformation · Emerging technologies · Entertainment · Entertainment industry · Mediation · Music education · Music industry · Political science · Popular music · Social science · Sociology · Telecommunications · Visual arts · Asian Culture and Media Studies · Computer Science · Cultural Industries and Urban Development · Engineering · Music History and Culture
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Emotional Resonance and Identity Recognition in Chinese Late Adolescent Digital Music Consumption
Nation-states, transnational corporations and cosmopolitans in the global popular music economy
Co-Creating Korean Wave in Southeast Asia
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Understanding the Potential for a Hallyu “Backlash” in Southeast Asia
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Korean Dramas and Films
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Critical Interpretation of Hybrid K-Pop
Construction of digital Korea
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A global approach to studying platforms and cultural production
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Stages, Platforms, Streams
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The influence of digital economy on rural per capita disposable income
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Korean Cosmetic Surgery and Digital Publicity
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Digital Capitalism
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Convergence Culture
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On the 'Pre-History of The Panoptic Sort
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When Creators, Corporations and Consumers Collide
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The Cultural Logic of Media Convergence
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The Pop-Pickers Have Picked Decentralised Media
Making Friends with Jarvis Cocker
Consumption and digital commodities in the everyday
The romantic self and the politics of internet commercialization
The Work of Cultural Intermediaries and the Enduring Distance Between Production and Consumption
Music That Moves
Re-inventing invention
| Obras citantes distintas | 24 |
|---|---|
| Citações por ano | 1,41 |
| Intervalo de citações | 2009 - 2025 (17) |
| Velocidade de citação | recent |
| Altamente citado | Não |
| Tipos de citação | Neutras: 24 |