Representations of Bisexuality in Australian Film
Dados Bibliográficos
| ID | 12759343 |
|---|---|
| Autores | Janet Watson (Deakin University, autor correspondente) |
| Ano | 2008 |
| Volume | 8 |
| Fascículo | 1-2 |
| Páginas | 97-114 |
| Data de publicação | 2008-09-01 |
| Peer Reviewed | Sim |
| Open Access | Não |
| Tipo | ARTICLE |
| Periódico | Journal of Bisexuality (JOURNAL) |
| Identificadores do periódico | ISSN: 1529-9716 • E-ISSN: 1529-9724 |
| Editora | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/15299710802142267 |
| OpenAlex | W2002488705 |
| Idioma | EN |
| Referências citadas | 19 |
This article examines representations of bisexuality in three Australian films: The Adventures of Priscilla Queen of the Desert, Sirens, and Dallas Doll. Given the relative absence of bisexual characters or themes in mainstream Australian cinema, the author has chosen films that portray bisexuality in markedly different ways. The flamboyant excesses of male drag and camp behavior that dominate Priscilla overshadow bisexual themes, which the author argues implicitly permeate narrative and character construction. In Sirens bisexual desire is enacted through fantasy and daydream in an aesthetically erotic narrative that interweaves nature, culture, and sexual repression. Finally, Dallas Doll articulates an overt bisexual character whose predatory behavior is depicted in a comically grotesque manner. Rather than reading these films in terms of stereotypes or negative representations, the author argues that these filmic portraits of bisexuality are constrained by the dominant heterosexual–homosexual schema that informs common perceptions about sexuality. Hence, bisexuality is vulnerable to being read as gay or dismissed as sexual curiosity. Through critically exposing the pervasiveness of such thinking, the author contends that expressions of bisexuality in film operate to destabilize and subvert conventional notions about sexuality and gender. This article demonstrates how the narrative and visual strategies of Priscilla, Sirens, and Dallas Doll undermine binary assumptions of male/female, heterosexual/homosexual and thus question the coherence of sexual identity. These ideas are explored through and informed by a framework comprising psychoanalytic, bisexual, and queer theory
Aesthetics · Art · Fantasy · Homosexuality · Human sexuality · Literature · Mainstream · Movie theater · Narrative · Psychoanalysis · Psychoanalytic theory · Queer · Queer theory · Sociology · Cinema and Media Studies · Gender Studies · Gender, Feminism, and Media · Philosophy · Psychology · Sexuality, Behavior, and Technology
Psychoanalysis and feminism.
Vested Interests
Sexual behaviour in the human male
Visual and Other Pleasures
Histoire de la sexualité, Tome I
Powers of Horror
Civilization and Its Discontents
The Monstrous-Feminine
Bi Film-Video World
Stereotyping Bisexual Men in Film
Bisexuals Who Kill
Dragging it out
Downlow Mountain? De/Stigmatizing Bisexuality through Pitying and Pejorative Discourses in Media
They're Bi Shepherds, Not Gay Cowboys
I’m Straight, but I Kissed a Girl’
Identity Conflict or Adaptive Flexibility
Sexual Orientation
The Feminine Female
| Velocidade de citação | historical |
|---|---|
| Altamente citado | Não |