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Foot fascination in performance in China and Australia in the nineteenth century

Dados Bibliográficos

ID12895697
AutoresRosemary Farrell (La Trobe University, autor correspondente)
Ano2009
Volume7
Fascículo1
Páginas19-27
Data de publicação2009-04-01
Peer ReviewedSim
Open AccessNão
TipoARTICLE
PeriódicoEarly Popular Visual Culture (JOURNAL)
Identificadores do periódicoISSN: 1746-0654 • E-ISSN: 1746-0662
EditoraTaylor & Francis (PUBLISHER • GB)
DOI10.1080/17460650902775336
OpenAlexW2055250446
IdiomaEN
Referências citadas6

Chinese theatrical performances were part of the popular visual culture of colonial Australia. This article addresses a cultural fascination with Chinese female feet in China and Australia in the nineteenth century. It discusses the political and social interpretations of an advertised performance featuring Chinese females with small feet in Australia in 1860 and proposes new cultural understandings of the Chinese performers’ identity by the mainly male spectatorship

Aesthetics · Archaeology · Art · China · Chinese culture · Colonialism · Cultural identity · Foot (prosody · Identity (music · Literature · Political science · Politics · Social science · Sociology · Australian History and Society · History · Japanese History and Culture · Law

  • The Production and Consumption of Chinese Theatre in Nineteenth-Century California

    Open Access•Daphne P Lei, Daphne Lei•Theatre Research International•2003

  • Cross-Dressing in Chinese Opera

    Siu Leung Li, Edward Siu-leung Li et al.•Cross-Dressing in Chinese Opera•2003

  • Striking Their Own Poses

    Chou Hui-ling, Hui-Ling Chou•TDR/The Drama Review•1997

  • The Golden Age

    Colin Newbury, Geoffrey Serle•Geographical Journal•1964

  • Western Images of China

    Warren I Cohen, Colin Mackerras•Pacific Affairs•1993

Velocidade de citaçãohistorical
Altamente citadoNão
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