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Special Issue

Contemporary soldiering, self-representation and popular culture

Dados Bibliográficos

ID12904682
AutoresSarah Maltby (University of Sussex, autor correspondente), Keith Parry (0000-0003-3654-6489, University of Leeds)
Ano2016
Volume9
Fascículo1
Páginas3-8
Data de publicação2016-04-01
Peer ReviewedSim
Open AccessSim
TipoARTICLE
PeriódicoMedia War & Conflict (JOURNAL)
Identificadores do periódicoISSN: 1750-6352 • E-ISSN: 1750-6360
EditoraSAGE Publishing (PUBLISHER • US)
DOI10.1177/1750635216642080
OpenAlexW2345217250
IdiomaEN
Referências citadas7

The ideas behind this Special Issue initially came together as a panel at the 2014 International Communication Association annual conference in Seattle, USA. Originally comprised of papers from Maria Hellman and Charlotte Wagnsson, Lisa Silvestri, Katy Parry and Nancy Thumim, along with a film directed by Sarah Maltby, our panel’s focus was very much on the lived experiences of military personnel as articulated and understood across a diverse range of media forms and genres. We then extended our invitation for this issue to bring together further scholarship which embodies a shared interest in the performance of soldiering, the vernacular and genre in an attempt to scrutinize and uncover the political and affective work of such forms in varied historical and geographic contexts. Such work remains crucial to investigating how war and violence are legitimized and remembered. In our compiling of the selected papers, we intentionally focus on a range of media forms to avoid a one-medium bias. Decidedly then, we have included genres other than journalism (cinema, social media, photography, memoirs, exhibitions, NGO materials), all with an emphasis on soldier-produced texts or on media forms that claim to represent fighting forces and veterans. This is not to suggest a diminished role for journalism but rather to emphasize that ‘media’ should not routinely refer to ‘news media’. In so doing, we aim to draw attention to the role of popular culture and new intermediaries in representing, mediating and embodying the soldiering experience so as to offer fresh insights

Aesthetics · Art · Art history · Exhibition · Journalism · Literature · Media studies · Political science · Politics · Popular culture · Representation (politics · Scholarship · Sociology · Vernacular · Gender, Security, and Conflict · History · Law · Memory, Trauma, and Commemoration · Military History and Strategy

  • Arrested war

    Andrew Hoskins, Ben O’loughlin et al.•Information Communication & Society•2015

  • Self-Representation and Digital Culture

    Open Access•Nancy Thumim•Self-Representation and Digital…•2012

  • War Experiences/War Practices/War Theory

    Open Access•Christine Sylvester•Millennium Journal of International…•2012

  • Nimo's War, Emma's War

    Cynthia Enloe, Cynthia H Enloe•Nimo's War, Emma's War•2010

  • This place isn't worth the left boot of one of our boys

    Open Access•Rachel Woodward, K Neil Jenkings•Political Geography•2012

  • The Afghan War and 'postmodern' memory

    Open Access•Anthony King•British Journal of Sociology•2010

  • Popular Culture, Sport and the 'Hero'-fication of British Militarism

    Open Access•John Kelly•Sociology•2013

Velocidade de citaçãohistorical
Altamente citadoNão
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