Filmic construction of regional Islamophobia
Rendering Kashmiri Muslims in Hindi cinema
Dados Bibliográficos
| ID | 12913403 |
|---|---|
| Autores | Tawseef Majeed (0000-0001-6941-5616, Jamia Millia Islamia, autor correspondente) |
| Ano | 2024 |
| Volume | 18 |
| Fascículo | 2 |
| Páginas | 305-328 |
| Data de publicação | 2024-06-20 |
| Peer Reviewed | Sim |
| Open Access | Não |
| Tipo | ARTICLE |
| Periódico | Journal of Arab & Muslim Media Research (JOURNAL) |
| Identificadores do periódico | ISSN: 1751-9411 • E-ISSN: 1751-942X |
| Editora | Intellect (PUBLISHER • GB) |
| DOI | 10.1386/jammr_00084_1 |
| OpenAlex | W4399874174 |
| Idioma | EN |
| Referências citadas | 37 |
This article examines the representation of Kashmir and its people in Hindi cinema, particularly Kashmiri Muslims. Cinematic representation has contributed to a harmful perception of Muslim identity and Islam. Given the contemporary global religio-political scenario, it is crucial to examine this phenomenon in promoting such perceptions about Kashmir, which is often referred to as South-Asian Palestine. The methodology employs survey, dialogical deconstruction and narrative analysis to unearth the implicit significances within three selected films, Haider , Mission Kashmir and Roja , depicting the Kashmiri Muslim subjects and their effect on the youth. A survey of university youth was also conducted at three central universities in Delhi. The investigation reveals a prevalent theme of violence in these films, often giving negative and biased portrayals of Kashmiris. Such conscious constructions of negative characters and narratives perpetuate Kashmirophobia – the fear or prejudice against Kashmir and its people among the youth. The portrayal of Kashmiri Muslims in Bollywood aggravates communal narratives and reinforces discriminatory views about the community, affecting the perception of the audience towards Kashmiri Muslims
Archaeology · Art · Hindi · Islam · Islamophobia · Kashmiri · Media studies · Movie theater · Political science · Rendering (computer graphics · Sociology · Visual arts · Computer Science · Demography · History · South Asian Cinema and Culture · South Asian Studies and Conflicts · South Asian Studies and Diaspora · Artificial Intelligence
The Role of Gender Stereotypes in Perceptions of Entrepreneurs and Intentions to Become an Entrepreneur
Press freedom in an “open prison” called Kashmir
The Subject and Power
Metonymies of Fear
Muslim minorities’ experiences of Islamophobia in the West
Imagining Indian Muslims
What it takes to be religious
Wandering Dervish of Laila Majnu
New Directions in Agenda-Setting Theory and Research
Applying Insights from Film Theory and Cinematic Technique to Create a Sense of Community and Participation in a Distributed Video
The Kashmiri as Muslim in Bollywood's ‘New Kashmir films’
Old imaginaries in a new frame
Embedded authoritarianism
We will memorise our home’
Cultural Indicators
The Evolution of Agenda-Setting Research
Framing, Agenda Setting, and Priming
Documentary Film as Policy Analysis
A Critical Analysis of Cultivation Theory
Bollywood's India
The Agenda-Setting Function of Mass Media
The social policy agendas of populist radical right parties in comparative perspective
Geographies of Islamophobia
Photography and Representation
Stigmatized Identities
| Velocidade de citação | historical |
|---|---|
| Altamente citado | Não |