A ‘touch of Tombatism’
Mary Lamb, Mary Shelley, Charles Dickens, and Children Reading in Graveyards
Dados Bibliográficos
| ID | 13008317 |
|---|---|
| Autores | John Gardner (0000-0001-7417-348X, Anglia Ruskin University, autor correspondente) |
| Ano | 2022 |
| Volume | 12 |
| Fascículo | 2 |
| Páginas | 115-133 |
| Data de publicação | 2022-06-29 |
| Open Access | Sim |
| Tipo | ARTICLE |
| Periódico | Victoriographies (JOURNAL) |
| Identificadores do periódico | ISSN: 2044-2416 • E-ISSN: 2044-2424 |
| Editora | Edinburgh University Press (PUBLISHER • GB) |
| DOI | 10.3366/vic.2022.0453 |
| OpenAlex | W4283700865 |
| Idioma | EN |
| Referências citadas | 13 |
This essay is about the significance of Mary Lamb’s portrayal of a child reading from a gravestone in the short story ‘Elizabeth Villiers; or The Sailor Uncle’ from Mrs. Leicester’s School (1809). Maybe the most famous tomb-reading scene in literature is that of Pip divining the personalities of his immediate family from their gravestone at the opening of Great Expectations (1860–1). However, a similar scene had been used previously by Mary Shelley in Falkner (1837) and earlier still by Lamb in ‘Elizabeth Villiers; or The Sailor Uncle’. My argument is that Lamb’s text continued to have a hidden, posthumous existence as Shelley and Charles Dickens went on to translate that image of a child reading from their parent’s gravestone. Each author also records and transmits a practice used by poor children to gain an education. Furthermore, the grave acts as a childhood home where dead parents continue to educate their children
Argument (complex analysis · Art · Art history · Linguistics · Literature · Reading (process · Folklore, Mythology, and Literature Studies · Gothic Literature and Media Analysis · History · Medicine · Philosophy · Psychology · Themes in Literature Analysis
| Altamente citado | Não |
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