Freedom now! Radykalny jazz i ruchy społeczne
Dados Bibliográficos
| ID | 13032001 |
|---|---|
| Autores | Przemysław Pluciński (0000-0002-5102-6572, autor correspondente) |
| Ano | 2014 |
| Volume | 14 |
| Fascículo | 4 |
| Páginas | 37-37 |
| Data de publicação | 2014-01-01 |
| Peer Reviewed | Sim |
| Open Access | Sim |
| Tipo | ARTICLE |
| Periódico | Praktyka Teoretyczna (JOURNAL) |
| Identificadores do periódico | ISSN: 2081-8130 • E-ISSN: 2081-8130 |
| Editora | Adam Mickiewicz University Poznan (PUBLISHER) |
| DOI | 10.14746/prt.2014.4.2 |
| OpenAlex | W2294420695 |
| Idioma | EN |
| Referências citadas | 9 |
Music is obviously not only an aesthetic phenomenon. It is embeddedin a dense network of social relations. However, its social involvementis rather ambiguous, particularly since the second half of the twentiethcentury. On the one hand, music is one of the main elements of culturalcapitalism and a part of the system of domination. On the other hand,music provokes, (co)produces or possibly strengthens and coexists witha number of counterdiscourses and social projects of counterhegemoniccharacter.The main objective of the paper is to examine relationships between both, revolutionary jazz and revolutionary social movements, namely the civil rights movement, but above all radical movements, especially black power movement. The crucial questions I am interested in are problems of selforganization, performative social practices, as well as alternatives elaborated by radical-oriented jazz circles in various social dimensions, for instance economic or symbolic
Aesthetics · Art · Epistemology · Jazz · Movement (music · Performative utterance · Phenomenon · Political science · Politics · Power (physics · Psychoanalysis · Social movement · Sociology · The Symbolic · Visual arts · Diversity and Impact of Dance · Law · Music History and Culture · Musicology and Musical Analysis · Philosophy · Psychology
| Velocidade de citação | historical |
|---|---|
| Altamente citado | Não |