The Pulse Of Life Today”

Research Article| October 01 2017 "The Pulse Of Life Today": borrowing in Johanna Beyer's String Quartet No. 2 Rachel Lumsden Rachel Lumsden Rachel Lumsden is assistant professor of music theory at Florida State University. Her research interests include ultramodern compositional style, gender and race in early twentieth-century British and American music, and music by women composers. Her work has been published in Black Music Research Journal, Feminist Studies, Music Theory Online, Studies in American Humor, and Women & Music. She is also coeditor of the Norton Guide to Teaching Music Theory (forthcoming, W. W. Norton). She received a PhD in music theory and a doctoral certificate in women's studies from the CUNY Graduate Center, and she has previously taught at Brooklyn College and the University of Oklahoma. Search for other works by this author on: This Site Google American Music (2017) 35 (3): 303–342. https://doi.org/10.5406/americanmusic.35.3.0303 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Rachel Lumsden; "The Pulse Of Life Today": borrowing in Johanna Beyer's String Quartet No. 2. American Music 1 January 2017; 35 (3): 303–342. doi: https://doi.org/10.5406/americanmusic.35.3.0303 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveUniversity of Illinois PressAmerican Music Search Advanced Search The text of this article is only available as a PDF. Copyright 2018 by the Board of Trustees of the University of Illinois2018 Article PDF first page preview Close Modal You do not currently have access to this content

Art · Art history · Optics · Physics · Theoretical physics · Music Technology and Sound Studies · Musicology and Musical Analysis

• The Pen as Camera

  Open Access•Richard Beaudoin•Music Theory Online•2021

  Incluir item

• You Too Can Compose

  Open Access•Rachel L Lumsden, Rachel Lumsden•Music Theory Online•2017

  Incluir item

• The Madwoman in the Attic

  Sandra M Gilbert, Susan Gubar•The Madwoman in the Attic•1980

  Incluir item

• A theory of parody

  Linda Hutcheon•A theory of parody•1985

  Incluir item

• Dissonant counterpoint

  John D Spilker•The new Grove dictionary of music…•2013

  Incluir item

• Musicology and Difference

  Ruth A Solie•Musicology and Difference•1993

  Incluir item

• Feminist Studies/Critical Studies

  Open Access•Mary Ann Doane, Teresa De Lauretis•Feminist Studies/Critical Studies•1986

  Incluir item

• Gender Trouble

  Judith Butler•Gender Trouble•2011

  Incluir item

• Remembering Ruth Crawford Seeger

  Ray Wilding-White•American Music•1988

  Incluir item

• Cowell's Sliding Tone and the American Ultramodernist Tradition

  Nancy Yunhwa Rao•American Music•2005

  Incluir item

• Twelve-Tone Music in America

  Rob Haskins•American Music•2010

  Incluir item

• The Return of the Queen of the Night

  Open Access•Simon Richter•German Life and Letters•2008

  Incluir item

• Daughters of the Great Depression

  Caren Irr, Laura Hapke et al.•American Literature•1996

  Incluir item

• Feminist Criticism in the Wilderness

  Elaine Showalter•Critical Inquiry•1981

  Incluir item