Fragments of a Revolution
Performativity vs. Theatricality in Iran, September 2022–January 2023
Dados Bibliográficos
| ID | 14998633 |
|---|---|
| Autores | Yassaman Khajehi (0009-0008-8813-1924, autor correspondente), Mohammad Amin Zamani, Mohammad Zamani (0000-0003-1916-3873), R Schechner (0000-0001-9303-6261) |
| Ano | 2023 |
| Volume | 67 |
| Fascículo | 3 |
| Páginas | 81-89 |
| Data de publicação | 2023-09-01 |
| Peer Reviewed | Sim |
| Open Access | Sim |
| Tipo | ARTICLE |
| Periódico | TDR/The Drama Review (JOURNAL) |
| Identificadores do periódico | ISSN: 1054-2043 • E-ISSN: 1531-4715 |
| Editora | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s1054204323000163 |
| OpenAlex | W4378652996 |
| Idioma | EN |
| Referências citadas | 4 |
With the Iranian protest movement “Woman, Life, Freedom,” public spaces have become scenes of collective performance. As women openly defy the authoritarian and religious powers, theatre artists are faced with a question: What role can we imagine for theatre when citizens themselves perform their struggle to reclaim the public space and sphere of power
Aesthetics · Art · Authoritarianism · Democracy · Linguistics · Media studies · Movement (music · Political economy · Political science · Politics · Power (physics · Public life · Public space · Public sphere · Sociology · Visual arts · Engineering · Irish and British Studies · Law · Philosophy · Theatre and Performance Studies · Visual Culture and Art Theory
| Velocidade de citação | historical |
|---|---|
| Altamente citado | Não |