On Racial Etiquette
Adrian Piper’s My Calling (Cards)
Dados Bibliográficos
| ID | 16714699 |
|---|---|
| Autores | David Marriott (0000-0002-7277-7244, autor correspondente) |
| Ano | 2013 |
| Volume | 24 |
| Fascículo | 1 |
| Data de publicação | 2013-09-01 |
| Open Access | Sim |
| Tipo | ARTICLE |
| Periódico | Postmodern Culture (JOURNAL) |
| Identificadores do periódico | ISSN: 1053-1920 • E-ISSN: 1053-1920 |
| Editora | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/pmc.2013.0056 |
| OpenAlex | W1995061869 |
| Idioma | EN |
| Referências citadas | 4 |
This essay discusses “My Calling Cards, Series 1#” by artist and philosopher Adrian Piper. It examines the notion of etiquette in her work more generally, and discusses why the question of xenia and xenophobia remains crucial to Piper’s art as well as to her Kantian aesthetics. The second half of the essay is taken up with the discussion of that aesthetics, and seeks to clarify Piper’s reading of race and aesthetics by means of a reading of Edmund Burke’s A Philosophical Enquiry into the Origin of our Ideas of the Sublime and the Beautiful (1757)
Aesthetics · Art · Etiquette · Linguistics · Literature · Piper · Racism · Reading (process · Sociology · Sublime · Xenophobia · Gender Studies · Philosophy · Rhetoric and Communication Studies
| Altamente citado | Não |
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