Imagining the metaverse court
A conversation between science fiction and Shakespeare
Dados Bibliográficos
| ID | 16948240 |
|---|---|
| Autores | David Tait (0000-0002-8683-238X), David S Tait (0000-0002-1121-7702, Australian National University), Meredith Rossner (0000-0002-4744-8502, Australian National University, autor correspondente) |
| Ano | 2025 |
| Volume | 10 |
| Páginas | 1552706-1552706 |
| Data de publicação | 2025-05-22 |
| Open Access | Sim |
| Tipo | ARTICLE |
| Periódico | Frontiers in Sociology (JOURNAL) |
| Identificadores do periódico | ISSN: 2297-7775 • E-ISSN: 2297-7775 |
| Editora | Frontiers Media SA (PUBLISHER • CH) |
| DOI | 10.3389/fsoc.2025.1552706 |
| PMID | 40474891 |
| OpenAlex | W4410607360 |
| Idioma | EN |
| Referências citadas | 17 |
This article explores the concept of a metaverse courtroom by engaging in an imaginative dialogue between Shakespeare's Hamlet and Neal Stephenson's Snow Crash . Using Connolly's method of juxtaposing distinct intellectual traditions, the analysis examines key aspects of justice processes—presence, facework, movement, adversarialism, and evidence presentation—in virtual spaces. Drawing on insights from dramaturgy, the sociology of emotions, and science fiction, the article considers how the performative and symbolic dimensions of physical courtrooms might translate to the metaverse. By imagining the metaverse courtroom as a space for innovation and interaction, this article seeks to illuminate how literature, sociology, and technology can collaboratively inspire the reimagining of justice in virtual environments
Aesthetics · Art · Conversation · Environmental ethics · Epistemology · Literature · Media studies · Possible world · Social science · Social worlds · Sociology · Communication · Media Influence and Health · Philosophy · Shakespeare, Adaptation, and Literary Criticism · Virtual Reality Applications and Impacts
| Altamente citado | Não |
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