Steep Slopes

23 The origins of music-23 The 'musician' in Duna society-25 Duna musical structures-27 Vocabulary: organisation of 'music'-29 Ipakana ('song[s]')-30 Alima ('instrument[s]') -40 'Dance'-47 Vocabulary: genres and their verbs-50 Language features of Duna song-52 Kiyaka and repetition-52 Metaphor-54 Conclusion-55 vii 'Sori'-175 Reactions to 'sori': self-mutilation-176 Courting and death-177 Conclusion-179 7. Creativity and preservation Continuity in creativity: 'traim na wokim tasol'-183 Musical similarities between the endogenous and exogenous-185 Authorship and ownership-186 Preservation-189 Politics-196 The Duna and cultural shows-197 Education for preservation: the school and the haroli palena-204 Being 'in the middle'-206 Conclusion: preservation in the continuity of creativity 8. Conclusion

Ethnology · Geography · New guinea · Diverse Musicological Studies · History · Island Studies and Pacific Affairs · Pacific and Southeast Asian Studies · Duna (Papua New Guinean people) · Duna language · Ethnic Studies · Music · Papua new guinea · Social life and customs · Texts · Geology

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• Introduction

  Open Access•Britta Schneider, Eeva Sippola et al.•Language & Communication•2017

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• Ethnomusicology and the Mining Industry

  Kirsty Gillespie•Musicology Australia•2013

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• The End of the Beginning? Mining, sacred geographies, memory and performance in Lihir

  Open Access•Nicholas Bainton, Nicholas A Bainton et al.•The Australian Journal of…•2012

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• Pain, Rhythm, and Relation

  Open Access•Carine Planeke•Yearbook for Traditional Music•2015

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• Sung Tales from the Papua New Guinea Highlands

  Alan Rumsey, Don Niles•Sung tales from the Papua New…•2011

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• Modernity and forms of personhood in Melanesia

  Open Access•Edward Lipuma•Bodies and Persons•1998

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• The Interpretation of Cultures

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• Ancestral connections

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• The fame of Gawa

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• Self Consciousness

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• Pintupi Country, Pintupi Self

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• Refiguring the person

  Open Access•Ellen Corin•Bodies and Persons•1998

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• Emplaced Myth

  Lissant Bolton, Andrew Lattas et al.•Emplaced Myth•2000

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• Shadows in the Field

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• Revisioning the Past, Remembering the Future

  Open Access•N Haley•Oceania•1996

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• Shadows of Song

  Open Access•F Magowan•Oceania•2001

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• Local Grouping in Melanesia

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• Singing about the Land among the Biangai

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• Sung Adornment

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• The Study of Ethnomusicology. Twenty-Nine Issues and Concepts

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• Deadly sounds, deadly places

  Margaret Gummow•Musicology Australia•2004

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• Can the Traditional Arts Survive, and Should They

  Philip Yampolsky•Indonesia•2001

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• Central Australian Women's Ritual Music

  Linda Barwick•Yearbook for Traditional Music•1990

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• Sound and Sentiment, Birds, Weeping, Poetics and Song in Kaluli Expression

  Jean-Jacques Nattiez, Julie Dolphin et al.•Yearbook for Traditional Music•1983

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• Melody and the Musical Articulation of Yolngu Identities

  P G Toner•Yearbook for Traditional Music•2003

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• Why Suya Sing. A Musical Anthropology of an Amazonian People

  Gerard Behague, Anthony Seeger•Latin American Music Review•1988

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• Ethnomusicological Research and Anthropology

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• Afek's Last Son

  Lorenzo Brutti•Ethnohistory•2000

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• Kastom in Melanesia

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• Becoming Sinners

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• Music and Dance of Aboriginal Australia and the South Pacific

  Joann W Kealiinohomoku, Alice Marshall Moyle•Ethnomusicology•1995

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• Roots Explosion

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• Puerto Rican Music and Cultural Identity

  Peter Manuel•Ethnomusicology•1994

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• Papua New Guinea Music Collection

  Steven Feld, Don Niles et al.•Ethnomusicology•1990

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• Our Tradition Is a Very Modern Tradition

  Christopher A Waterman•Ethnomusicology•1990

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• Melpa Amb Kenan

  Steve Feld, Andrew Strathern•Ethnomusicology•1979

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• Sound Structure as Social Structure

  Steven Feld•Ethnomusicology•1984

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• Huli Language and Instrumental Performance

  Jacqueline Pugh-Kitingan, Jacqueline Pugh‐Kitingan•Ethnomusicology•1977

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• The Reliability of Transcription

  George List•Ethnomusicology•1974

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• Aesthetics as Iconicity of Style, or 'Lift-up-over Sounding

  Steven Feld•Yearbook for Traditional Music•1988

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• Reflections of a Woman Anthropologist. No Hiding Place

  Carolyn Sargent, Manda Cesara•Canadian Journal of African…•1983

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• The Language Parallax

  Michael Jackson, Michael R Jackson et al.•Man•1987

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• Two or Three Things that I Know about Culture

  Marshall Sahlins•Journal of the Royal Anthropologica…•1999

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• Doing anthropology in sound

  Open Access•Steven Feld, Donald Brenneis•American Ethnologist•2004

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• Traditionalism and Modernity in the Music and Dance of Oceania

  Open Access•Jacob Wainwright Love, Jacob Love•American Anthropologist•2003

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• Ritual Wailing in Amerindian Brazil

  Open Access•Greg Urban•American Anthropologist•1988

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• On'appropriation'. A critical reappraisal of the concept and its application in global art practices

  Open Access•Arnd Schneider•Social Anthropology•2007

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• Negotiating and enacting musical innovation and continuity

  Karl Neuenfeldt, Lyn Costigan•Canberra Anthropology•2004

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