Tuning Renaissance and Baroque Instruments
Some Guidelines
Dados Bibliográficos
| ID | 19463530 |
|---|---|
| Autores | Mark Lindley (Claremont Colleges, autor correspondente) |
| Ano | 1994 |
| Volume | 7 |
| Fascículo | 1 |
| Páginas | 85-92 |
| Data de publicação | 1994-01-01 |
| Peer Reviewed | Sim |
| Open Access | Não |
| Tipo | ARTICLE |
| Periódico | Performance Practice Review (JOURNAL) |
| Identificadores do periódico | ISSN: 1044-1638 • E-ISSN: 2166-8205 |
| Editora | Claremont Colleges Library (PUBLISHER • US) |
| DOI | 10.5642/perfpr.199407.01.07 |
| OpenAlex | W1981475711 |
| Idioma | EN |
Provides detailed guidelines for tuning keyboard instruments, including the harpsichord, piano, and organ. Musical examples for tuning unisons between overtones in consonant intervals and octaves are included. Other musical examples illustrate the procedures for setting a quasi-Pythagorean temperament, a meantone temperament, a temperament ordinaire, a Bach-style irregular temperament, and an equal temperament
Art · Art history · Baroque · Harpsichord · Literature · MOZART · Personality · Piano · Psychoanalysis · Temperament · The Renaissance · Visual arts · Music Technology and Sound Studies · Musicology and Musical Analysis · Psychology
| Velocidade de citação | historical |
|---|---|
| Altamente citado | Não |