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The Whole Field of Postcolonial Literature

Dados Bibliográficos

ID19463591
AutoresJosef Marx (0000-0002-9571-2312, University of California, Davis, autor correspondente), John Marx (University of California, Davis)
Ano2013
Volume16
Fascículo3
Páginas389-400
Data de publicação2013-03-01
Peer ReviewedSim
Open AccessNão
TipoARTICLE
PeriódicoDiaspora A Journal of Transnational Studies (JOURNAL)
Identificadores do periódicoISSN: 1044-2057 • E-ISSN: 1911-1568
EditoraUniversity of Toronto Press Inc. (UTPress) (PUBLISHER)
DOI10.3138/diaspora.16.3.389
OpenAlexW2306038046
IdiomaEN
Referências citadas2

Neil Lazarus describes a field of postcolonial literature that is both too big and too small. Too big, in that this “vast and hitherto unevenly and indifferently theorized corpus” contains too many works published in too many places and circulating in too many ways to be neatly summed up (35). The field is too small, however, in that few postcolonial works actually garner anything like meaningful scholarly attention. Saying he is “tempted to overstate the case,” Lazarus declares “that there is in a strict sense only one author in the postcolonial literary canon. That author is Salman Rushdie, whose novels—especially Midnight’s Children, Shame, and The Satanic Verses—are endlessly, not to say catechistically, cited in the critical literature” (22). The point remains even if one is inclined to supplement this canon with another likely suspect or two—J.M. Coetzee, say, or Arundhati Roy

Art · Canon · Literature · Shame · Sociology · Suspect · Mathematics · Philosophy · Postcolonial and Cultural Literary Studies · Psychology · South African History and Culture · South Asian Cinema and Culture

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Velocidade de citaçãohistorical
Altamente citadoNão
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