Black Mirror
Allegories for the Atomised
Dados Bibliográficos
| ID | 19631802 |
|---|---|
| Autores | Tom May (0000-0002-6404-0381, Northumbria University, autor correspondente) |
| Ano | 2026 |
| Páginas | 1-3 |
| Data de publicação | 2026-04-23 |
| Peer Reviewed | Sim |
| Open Access | Não |
| Tipo | ARTICLE |
| Periódico | Historical Journal Of Film Radio and Television (JOURNAL) |
| Identificadores do periódico | ISSN: 0143-9685 • E-ISSN: 1465-3451 |
| Editora | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/01439685.2026.2653320 |
| OpenAlex | W7155546037 |
| Idioma | EN |
At several points in his engaging, if tantalisingly partial, study of Black Mirror (Channel 4, 2011-4; Netflix, 2016-), Greg Singh situates the dystopian anthology’s bleak critique within a lineage
Black feminism · Black women · Dystopia · Filmmaking · Thatcherism · Ecocriticism and Environmental Literature · Posthumanist Ethics and Activism · Utopian, Dystopian, and Speculative Fiction
| Velocidade de citação | historical |
|---|---|
| Altamente citado | Não |