The Ovidian Heroine as Author
Reading, Writing, and Community in the Heroides
Dados Bibliográficos
| ID | 19910883 |
|---|---|
| Autores | Laurel Fulkerson (Florida State University, autor correspondente) |
| Ano | 2005 |
| Data de publicação | 2005-07-14 |
| Open Access | Sim |
| Tipo | BOOK |
| Periódico | Ovidian Heroine as Author (SOURCE_BOOK) |
| Editora | Cambridge University Press (PUBLISHER • US) |
| DOI | 10.1017/cbo9780511482175 |
| OpenAlex | W1592506095 |
| Open Library | OL22629763M |
| ISBN | 9780511482175 |
| Idioma | EN |
| Citações recebidas | 63 |
| Referências citadas | 155 |
Ovid's Heroides, a catalogue of letters by women who have been deserted, has too frequently been examined as merely a lament. In a new departure, this book portrays the women of the Heroides as a community of authors. Combining close readings of the texts and their mythological backgrounds with critical methods, the book argues that the points of similarity between the different letters of the Heroides, so often derided by modern critics, represent a brilliant exploitation of intratextuality, in which the Ovidian heroine self-consciously fashions herself as an alluding author influenced by what she has read within the Heroides. Far from being naive and impotent victims, therefore, the heroines are remarkably astute, if not always successful, at adapting textual strategies that they perceive as useful for attaining their own ends. With this new approach Professor Fulkerson shows that the Heroides articulate a fictional poetic, mirroring contemporary practices of poetic composition
Art · DIDO · EPIC · Lament · Linguistics · Literature · Mirroring · Mythology · Poetry · Similarity (geometry) · World Wide Web · Artificial Intelligence · Classical Antiquity Studies · Communication · Computer Science · Historical and Literary Studies · Historical, Religious, and Philosophical Studies · History · Philosophy · Psychology · 43 b.c.-17 a.d. or 18 a.d · Intertextuality · Mythology, in literature · Ovid · Women in literature
Large complaints in little papers
Irreconcilable Differences
Which Letter? Text and Subtext in Ovid's Heroides
Ovid on Screen
Loving Writing/Ovid's Amores
Loves and elegy
Lost in Germania
Looking for the Emperor in Seneca’s Letters
Tibullus in first place
Militia amoris
Conspicuous Absence
Heroides
The Gaze on the Void
The puella
Unspoken Rome
Caius Cornelius Gallus
The poeta-amator, nequitia and recusatio
Translation and imitation of classical elegy in the French eighteenth century
Catullus’ Sapphic Lacuna
Russian elegists and Latin lovers in the long eighteenth century
Speaking Silence in Cicero’s Brutus and Tacitus’ Dialogus de Oratoribus
Speaking Aposiopeseis
Greek elegy
Ovid the love elegist
Tamen apsentes prosunt pro praesentibus
Latin love elegy and other genres
Time, place and political background
Breaking the rules
Neue Feste für Dionysos
Propertius
Latin love elegy in Late Antiquity
Et sine auctore notissimi uersus
Latin precursors
Allegorical Absences
‘The woman’
Absence, Metaphysically Speaking
Translating Medea
The Latin elegiac couplet
Authenticity, Artifice, and Ovid's Heroides in Mary Stuart's Casket Sonnets
Ovid
Na próżno błaga Eneasz Dydonę, aby mu wybaczyła odejście i zdradę”. Wokół retoryczności, dialogiczności, recepcji VII Heroidy Owidiusza
Male voices in Ovid’s Heroides
The Art of Death in Ovid's Heroides
Oenone ( Her . 5), Acontius ( Her . 20), and the Ovidian seruitium amoris
Ovid's Heroides 3 and the inventio of Criseyde in the Medieval Matter of Troy
The Hero's Narrative in Ovid's Heroides 9 and 13
Statues and the Statuesque in Ovid's Heroides
The “Strangeness” of Hypermestra's Letter to Lynceus (Ov. Her . 14)
Hero Meets Penelope, Leander Meets Odysseus
La pia Hypermestra y el impius Aeneas
Ovid and Hesiod
Tragedy in Ovid
The Art of Pliny's Letters
The Cambridge Companion to Latin Love Elegy
Ovid
Una heroica dama ? The Discurso en loor de la poesía (1608) in context and the case for Diego Mexía as ‘Clarinda’
La femme voyageuse dans les Héroïdes 10, 12 et 21
Voce voco. Ariadne in Ovids Heroides und die ‘weibliche’ Stimme
Wit, Humour and Irony in Heroides 9
The Deidamia Achilli
Virgil's Georgics and the Dating of Propertius’ First Book
The Woman's Part
His Turn to Cry
The Severed Word
Ovid's Toyshop of the Heart
Die Römische Tragödie im Zeitalter der Republik
Seduction and Repetition in Ovid’s Ars Amatoria 2
Repetition in Latin Poetry
Sophocles' Trachiniae
Structuralist Poetics
This Sex Which is Not One
Banished Voices
The Metamorphosis of Persephone
Curse Tablets and Binding Spells from the Ancient World
Allusion and Intertext
Odysseus Polutropos
The Rhetoric of Imitation
Ovid: Amores: Book 3
Reading the Ovidian Heroine
Language and Desire in Seneca's "Phaedra"
Vergil's Aeneid
L'esprit et l'humour chez Ovide
Interpretation and Overinterpretation
Abandoned Women and Poetic Tradition
Sexual / Textual Politics
Euripides′ Hippolytus plays
Ovids elegische Epistel
The Metamorphosis of Ovid's Medea
The Poet and his Audience in the Augustan Age
The Andromache and Euripidean Tragedy
Euripidean Drama
The Constraints of Desire
Death and Representation
The Cambridge Companion to Ovid
Essentially Speaking
The Argonautica of Apollonius
Bodies that Matter
Gender Trouble
Over Her Dead Body
Discourses of Desire
Strategies of tension (Ovid, Heroides 4)
His Dupes and Accomplices
Die dichterische Absicht Ovids in den Epistulae Heroidum
Ovid
Epistolary Fictions
Roman Literary Culture
Imitation and Authenticity in Ovid
A Commentary on Horace
A Commentary on Horace, "Odes" Book III
Ovid's Epistle from Sappho to Phaon (Heroides 15)
La rhétorique et l'imagination dans la IX Héroide (Déjanire à Hercule)
Ovid's Heroides
The Authenticity of Ovid Heroides 12 Reconsidered
Womanufacture
The Three Marias
Discourses of Desire
Notes On the Prologue of Euripides' Bacchae
In Defence of Heroides 9
The 14Th Heroid Letter of Ovid and the Danaid Trilogy of Aeschylus
Canace Misunderstood
Ovid's Canace and Euripides' Aeolus
Magika Hiera
Vergil's "Georgics" and the Traditions of Ancient Epic
La magie dans la poésie latine. I. Des origines à la fin du règne d'Auguste
Untersuchungen zur Brief-form der Heroides Ovids
"Ovid "Heroides
Nothing Is as It Seems
Medea
Ovid and Medieval Schooling. Studies in Medieval School Commentaries on Ovid's Ars Amatoria, Epistulae ex Ponto and Epistulae Heroidum
Language and Desire in Seneca's Phaedra
Ovids Heroides
Omnia vincit amor
Ovid, Heroides 6.1–2
Notes On Ovid, Heroides 9
Notes on the Text of Ovid, Heroides
Notes on Ovid's Heroides
The epistolary mode and the first of Ovid's Heroides
The Resisting Reader
Catullus 64 and the Argonautica of Apollonius Rhodius
Ovid Heroides 11, 13 and 14
The Face of Nature
The Creative Poet
Taking the Woman's Part
The Novelty of Ovid's Heroides
Notes on Ovid
Poetic Allusion and Poetic Embrace in Ovid and Virgil
A Comparison of the Treatment by Vergil and by Ovid of the Aeneas-Dido Myth
Ovid's Heroides and Tristia
(Un)sympathetic Magic
Tragic irony in Ovid, Heroides 9 and 11
Two Disputed Passages in the Heroides
Writing in the Mother-Tongue
Ovidian and Non-Ovidian Heroides
Ovid on Reading
Curse Tablets and Binding Spells from the Ancient World
Der XII. Heroidenbrief
Qvaerenti Plvra Legendvm
The Fragmentary Latin Poets
Readers and Writers in Ovid's Heroides
Sabinus, the Heroides and the Poetnightingale. Some observations on the authenticity of the epistula Sapphus
Brill's Companion to Ovid
Love and death
"Readers and Writers in Ovid's "Heroides
| Obras citantes distintas | 63 |
|---|---|
| Citações por ano | 3,32 |
| Intervalo de citações | 2007 - 2025 (19) |
| Velocidade de citação | recent |
| Altamente citado | Não |
| Tipos de citação | Neutras: 60 |