The Stagecraft and Performance of Roman Comedy
Dados Bibliográficos
| ID | 19937433 |
|---|---|
| Autores | C W Marshall (0000-0001-6669-3231, University of British Columbia, autor correspondente) |
| Ano | 2006 |
| Data de publicação | 2006-11-02 |
| Open Access | Sim |
| Tipo | BOOK |
| Periódico | Stagecraft and Performance of Roman Comedy (SOURCE_BOOK) |
| Editora | Cambridge University Press (PUBLISHER • US) |
| DOI | 10.1017/cbo9780511486203 |
| OpenAlex | W4297668621 |
| Open Library | OL22740098M |
| ISBN | 9780511486203 |
| Idioma | EN |
| Citações recebidas | 80 |
A comprehensive survey of Roman theatrical production, this book examines all aspects of Roman performance practice, and provides fresh insights on the comedies of Plautus and Terence. Following an introductory chapter on the experience of Roman comedy from the perspective of Roman actors and the Roman audience, addressing among other things the economic concerns of putting on a play in the Roman republic, subsequent chapters provide detailed studies of troupe size and the implications for role assignment, masks, stage action, music, and improvisation in the plays of Plautus and Terence. Marshall argues that Roman comedy was raw comedy, much more rough-and-ready than its Hellenistic precursors, but still fully conscious of its literary past. The consequences of this lead to fresh conclusions concerning the dramatic structure of Roman comedy, and a clearer understanding of the relationship between the plays-as-text and the role of improvisation during performance
Aesthetics · Art · Comedy · Improvisation · Literature · Visual arts · Classical Antiquity Studies · Shakespeare, Adaptation, and Literary Criticism · History and criticism · Latin drama · Latin drama (Comedy) · Latin drama, history and criticism
Migration, Mobility and Place in Ancient Italy
Citizens in the Graeco-Roman World
Migration, Mobility and Place in Ancient Italy
Laughter
Epicharmus and early Sicilian comedy
The rivals of Aristophanes and Menander
Lost in Germania
Tradition and Innovation in the Kosmos –Polis Analogy
Looking for the Emperor in Seneca’s Letters
Introduction
Music and Metre
Conspicuous Absence
Roman Comedy and the Poetics of Adaptation
Slaves and Roman Comedy
The Gaze on the Void
Unspoken Rome
Fathers and Sons
Explorations in Latin Literature
Gods and Roman Comedy
Greek Tragedy and the Theatre of Sisterhood
Lost – and Found – in Transmission
Catullus’ Sapphic Lacuna
Speaking Silence in Cicero’s Brutus and Tacitus’ Dialogus de Oratoribus
Migration, Identity, and Multilingualism in Late Hellenistic Delos
Stage Action in Roman Comedy
Roman Comedy in Early Modern Italy and France
Speaking Aposiopeseis
Race and Slavery in Roman Comedy
Die Komödien des Plautus als politische Kunst. Eine Überlegung in drei Akten
Hoc Primvs Venit
The Language of Roman Comedy
Population, Migration and Language in the City of Rome
Suffering in Silence
Tamen apsentes prosunt pro praesentibus
Interpretes, Negotiatores and the Roman Army
Roman Comedy in Germany (from Humanism to Lessing)
The Language of Mobile Craftsmen in the Western Mediterranean
All the World’s a Stage
Women in Love in the Fragmentary Plays of Sophocles
Roman Comedy on Stage and Screen in the Twentieth and Twenty-First Centuries
Female Violence towards Women and Girls in Greek Tragedy
Metatheatre
The Mamertini in Messina
Roman Comedy in Early Modern England
Et sine auctore notissimi uersus
Allegorical Absences
Comic Technique
The Manuscripts and Illustration of Plautus and Terence
Mothers and Whores
The Politics of Roman Comedy
Absence, Metaphysically Speaking
Polis as Kosmos in Plato’s Laws
Interethnic Mobility and Integration in Pre-Roman Etruria
Aristotle on Kosmos and Kosmoi
Ordering the Universe in Speech
Cosmos in the Ancient World
Cosmic Choruses
The scripted audience in Roman comedy
Acting the Slave
Men among Monuments
Tenuis oratio , or Terence’s “Limp” Poetics
The Cambridge Companion to Roman Comedy
Female Characters in Fragmentary Greek Tragedy
Migration, Mobility and Language Contact in and around the Ancient Mediterranean
Love in a time of bankruptcy
A comédia romana e a dança final
How to Write Religious Ritual into Theatre. Gérard Genette’s Palimpsests Applied in Plautus’ Rudens and Simone Weil’s Venice Sauvée
Máscaras Y Personajes en La Palliata
Scale, space and canon in ancient literary culture
Roman Comedy Gets Back to Basics
What's in a Name? Through Comic Titles to Caecilius Statius
Stage Movement and Staging in Menander’s Dyskolos
Modular Clause Composition in Plautus
A Splitting Headache
Sickness and Cure in Plautus’ Curculio
The Fool's Errand in Terence's Hecyra
Were There Slaves in the Audience of Plautus’ Comedies
The theatrical life of things
Don’t Skip the Meter! Introducing Students to the Music of Roman Comedy
Old Men and Metatheatre in Terence
| Obras citantes distintas | 80 |
|---|---|
| Citações por ano | 4,44 |
| Intervalo de citações | 2008 - 2026 (19) |
| Velocidade de citação | current |
| Altamente citado | Não |
| Tipos de citação | Neutras: 79 |