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Cities Surround The Countryside

Urban Aesthetics in Postsocialist China

Dados Bibliográficos

ID19939736
AutoresRobin Visser (autor correspondente)
Ano2010
Páginas373
Data de publicação2010-04-12
Open AccessNão
TipoBOOK
PeriódicoCities Surround the Countryside (SOURCE_BOOK)
EditoraDuke University Press (PUBLISHER • US)
DOI10.1515/9780822392774
OpenAlexW1565800691
Open LibraryOL29604774M
ISBN9780822392774
IdiomaEN
Citações recebidas23

Denounced as parasitical under Chairman Mao and devalued by the norms of traditional Chinese ethics, the city now functions as a site of individual and collective identity in China. Cities envelop the countryside, not only geographically and demographically but also in terms of cultural impact. Robin Visser illuminates the cultural dynamics of three decades of radical urban development in China. Interpreting fiction, cinema, visual art, architecture, and urban design, she analyzes how the aesthetics of the urban environment have shaped the emotions and behavior of people and cultures, and how individual and collective images of and practices in the city have produced urban aesthetics. By relating the built environment to culture, Visser situates postsocialist Chinese urban aesthetics within local and global economic and intellectual trends.In the 1980s, writers, filmmakers, and artists began to probe the contradictions in China's urbanization policies and rhetoric. Powerful neorealist fiction, cinema, documentaries, paintings, photographs, performances, and installations contrasted forms of glittering urban renewal with the government's inattention to a livable urban infrastructure. Narratives and images depicting the melancholy urban subject came to illustrate ethical quandaries raised by urban life. Visser relates her analysis of this art to major transformations in urban planning under global neoliberalism, to the development of cultural studies in the Chinese academy, and to ways that specific cities, particularly Beijing and Shanghai, figure in the cultural imagination. Despite the environmental and cultural destruction caused by China's neoliberal policies, Visser argues for the emergence of a new urban self-awareness, one that offers creative resolutions for the dilemmas of urbanism through new forms of intellectual engagement in society and nascent forms of civic governance

Aesthetics · Art · Beijing · China · Identity (music) · Modernity · Morality · Political science · Politics · Rural area · Sociology · Subject (documents) · Art, Politics, and Modernism · China's Socioeconomic Reforms and Governance · Chinese history and philosophy · Gender Studies · Law · Cities and towns · City and town life

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    Open Access•Meiqin Wang•Journal of Current Chinese Affairs•2015

  • Storytelling as urban resistance in Shanghai

    Lena Scheen•Asian Anthropology•2020

  • Urban (Post)Modernity and Its Discontent

    Open Access•Yun Zhu•Modern Chinese Literature and…•2025

  • Europe as façade

    Open Access•Jeroen De Kloet•European Journal of Cultural…•2013

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    Sonia Lam‐knott•Space and Polity•2019

  • Urbanized interfaces

    Open Access•Meiqin Wang, Minna Valjakka•China Information•2015

  • Advertising the Chinese dream

    Open Access•Meiqin Wang•China Information•2015

  • Heritage as theatre

    Open Access•Cangbai Wang•China Information•2017

  • Negotiating spatial politics

    Open Access•Minna Valjakka•China Information•2015

  • Migrants on exhibition

    J Qian, Junwanguo Guo•Journal of Urban Affairs•2018

  • The Political Economy of Urban Ruins

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  • Reimagining Affection in a Changing Shanghai

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Obras citantes distintas23
Citações por ano1,53
Intervalo de citações2011 - 2026 (16)
Velocidade de citaçãocurrent
Altamente citadoNão
Tipos de citaçãoNeutras: 7
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