Devices of Curiosity
Early Cinema and Popular Science
Dados Bibliográficos
| ID | 19969405 |
|---|---|
| Autores | Oliver Gaycken (autor correspondente) |
| Ano | 2015 |
| Páginas | 270 |
| Data de publicação | 2015-05-01 |
| Open Access | Não |
| Tipo | BOOK |
| Periódico | Devices of Curiosity (SOURCE_BOOK) |
| Editora | Oxford University Press (PUBLISHER • GB) |
| DOI | 10.1093/acprof:oso/9780199860685.001.0001 |
| OpenAlex | W2494478891 |
| ISBN | 9780199860685 |
| Open Library | OL27517612M |
| Idioma | EN |
| Citações recebidas | 27 |
This book excavates a largely unknown genre of early cinema, the popular-science film. Primarily a work of cinema history, it also draws on the insights of the history of science. Beginning around 1903, a variety of producers made films about scientific topics for general audiences, inspired by a vision of cinema as an educational medium. This book traces the development of popular-science films over the first half of the silent era, from its beginnings in England to its flourishing in France around 1910. These films initially relied upon previous traditions such as the magic-lantern lecture for their representational strategies, and they continually had recourse to established visual iconography, but they also created novel visual paradigms and led to the creation of ambitious new film collections. The book thus also considers how popular-science films exemplify the circulation of knowledge. Finally, the book discerns a transit between nonfictional and fictional modes, seeing affinities between popular-science films and certain aspects of fiction films, particularly Louis Feuillade’s crime melodramas. This kind of circulation is important for an understanding of the wider relevance of early popular-science films to cinema studies, in particular their influence on documentary, educational, and avant-garde cinemas.
Aesthetics · Art · Art history · circulation of knowledge · Curiosity · Documentary film · early cinema · educational films · England · experimental film · film collections · Film studies · Flourishing · France · History of science · Literature · Louis Feuillade · MAGIC (telescope) · magic lantern · Mathematics education · Movie theater · Popular science · popular science films · Science education · silent film · Visual arts · visual iconography · Cinema and Media Studies · Cinema History and Criticism · Climate Change Communication and Perception · History and Developments in Astronomy · Literature, Film, and Journalism Analysis · Psychology · Science Education and Perceptions · Social Psychology · Film criticism · History and criticism · Motion pictures in science · Science fiction films · Science films · Science in motion pictures
Body, Capital and Screens
“I Have My Choice”
“A New Sense of Black Awareness”?
Medicine on Film
The Garden in the Laboratory
Useful Animation
The (un)natural history film
Scalar vicissitudes and minute creatures
“Self-testimony of a Past Present”
Introduction on Displaying knowledge
The view from here, there and nowhere? Situating the observer in the planetarium and in the solar system
Operational analysis
Film, observation and the mind
The origins of film, psychology and the neurosciences
Model and movement
Performing ‘the authoritative account’
The international science film exhibition at the Museo Nazionale della Scienza e della Tecnica “Leonardo da Vinci” in Milan
Explorer de nouvelles formes de spectaculaire
Para una teoría del performanymal. De la representación a la presencia animal en el arte contemporáneo
Cinematic Governmentality
A machine for recreating life’
Van Leeuwenhoek – the film
The ciné-biologists
Animating embryos
Introduction to scholarship on early cinema in the British colonies
Shooting Chicken Embryos
Introduction
| Citações por ano | 2,45 |
|---|---|
| Intervalo de citações | 2015 - 2026 (12) |
| Altamente citado | Não |