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Afrikaans Literature in / and the World Republic of Letters

The Case of Koos Prinsloo and S.J. Naudé

Dados Bibliográficos

ID20156151
AutoresLouise Viljoen (0000-0002-1748-9098, Stellenbosch University, autor correspondente)
Ano2019
Volume35
Fascículo1
Páginas59-79
Data de publicação2019-01-02
Peer ReviewedSim
Open AccessSim
TipoARTICLE
PeriódicoJournal of Literary Studies (JOURNAL)
Identificadores do periódicoISSN: 0256-4718 • E-ISSN: 1753-5387
EditoraUnisa Press (PUBLISHER • ZA)
DOI10.1080/02564718.2019.1583439
OpenAlexW2946487003
IdiomaEN
Citações recebidas1
Referências citadas9

This article deals with the position of Afrikaans literature as a small literature in the world, with specific reference to some of Pascale Casanova’s most provocative statements on the position of small literatures in her book La République Mondiale des Lettres (1999), translated into English as The World Republic of Letters (2004). The article first looks at the different meanings of the term “world literature” and the notion of a “world republic of letters” from the perspective of the small literature Afrikaans. The article then engages with Casanova’s discussion of the way in which writers in small literatures position themselves in literary space through strategies of assimilation (integration through the dilution of original differences), différentiation (the insertion of difference), the (de)politicization of literature and translation. The article also devotes attention to the ideas of the most important critics of her work such as Prendergast and Ganguly. The article then proceeds to discuss the way in which works by the Afrikaans authors Koos Prinsloo and S.J. Naudé, who both question patriarchal and heteronormative conventions of their time, reveal the limitations of Casanova’s description of small literatures. Prinsloo’s short stories, published in the 1980s and 1990s, do not fit into a national tradition; they are experimental, aesthetically refined and transgressive, even though they did not circulate beyond Afrikaans. In his turn S.J. Naudé, who started publishing in Afrikaans almost thirty years after Prinsloo’s debut, develops a radical, anti-nostalgic queer aesthetic which questions both the national and the global as legitimate frameworks for writing. Both these writers problematise Casanova’s description of small literatures in the larger world context

Art · Literature · Queer · Sociology · Gender Studies · History · Philosophy · Postcolonial and Cultural Literary Studies · South African History and Culture · Translation Studies and Practices

  • The Haunting Presence of Lost Futures in The Third Reel by S.J. Naudé

    Open Access•Bibi Burger•Journal of Literary Studies•2019

  • Born Translated

    Rebecca L Walkowitz•Born Translated•2015

  • What Is World Literature?

    David Damrosch•What Is World Literature?•2003

  • Orientalism and the Institution of World Literatures

    Aamir R Mufti•Critical Inquiry•2010

  • South Africa and the dream of love to come

    Alexandra Dodd•Journal of Postcolonial Writing•2014

Obras citantes distintas1
Citações por ano0,14
Intervalo de citações2019 - 2019 (1)
Velocidade de citaçãohistorical
Altamente citadoNão
Tipos de citaçãoNeutras: 1
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