Framing Deaths, Embracing Lives

Jack the Ripper fictions tend to be realist in mode, making frequent use of the Victorian press and archives to depict the 1888 murders. At the same time, they marginalise and exploit the victims, defining them as silent testimonies to the power of the elusive perpetrator. In contrast, Alan M. Clark’s Jack the Ripper Victims Series (2011–2018), consisting of five novels devoted to one canonical victim each, shifts the focus and depicts their lives. This article outlines the way the fictionalisations of the five women’s lives bring to the fore five other ‘crimes’ or transgressions: addiction, domestic violence, unemployment, sex work, and homelessness, but also the way these texts replace what is sensational and formulaic in Ripperature with something more than mundane and gritty in the lived experience of everyday people, such as moments of personal joy or professional accomplishments. Drawing on Kate Mitchell’s approach to history, cultural memory, and neo-Victorian fiction, it argues that pre-dating the publication of The Five (2019), Clark managed to realistically re-present (make present) and represent (create a portrayal of) the late-Victorian crime of dismissing the women who were murdered

Archaeology · Art · Criminology · Media studies · Sociology · Crime and Detective Fiction Studies · Gothic Literature and Media Analysis · History · Modern American Literature Studies · Psychology

• Jack the Ripper in Film and Culture

  Open Access•C Smith•Jack the Ripper in Film and Culture•2016

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• Neo-Victorian Villains

  Benjamin Poore•Neo-Victorian Villains•2017

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• City of Dreadful Delight

  Open Access•Judith R Walkowitz•City of Dreadful Delight•1992

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• Remaking memory and the agency of the aesthetic

  Open Access•Ann Rigney•Memory Studies•2021

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• Drawing on the Victorians

  Nicole Lobdell•Nineteenth Century Contexts•2019

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• The five

  Kate Lister, Amy Milne‐smith et al.•Women s History Review•2020

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