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Black Power, Raw Soul, and Race in Ghana

Dados Bibliográficos

ID2098652
AutoresAlison Okuda (0000-0001-9651-7407, autor correspondente)
Ano2023
Volume66
Fascículo4
Páginas988-1012
Data de publicação2023-12-01
Peer ReviewedSim
Open AccessSim
TipoARTICLE
PeriódicoAfrican Studies Review (JOURNAL)
Identificadores do periódicoISSN: 0002-0206 • E-ISSN: 1555-2462
EditoraCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/asr.2023.29
OpenAlexW4385723991
IdiomaEN
Referências citadas27

In the late 1960s, Ghanaians joined the global conversation about Black Power. Despite the absence of President Nkrumah and attempts to dampen local interest in radical political movements, young Ghanaian students, musicians, and audience members were well informed of the global implications of white supremacy. Okuda examines how Ghanaians expanded the legacy of Black Power into an African context, seizing opportunities to connect with African Americans via popular media, exchange programs, and soul music to show their solidarity with the fight against racist policies and practices abroad and to stay vigilant against neo-imperialism at home

Black Power · Context (archaeology · Conversation · Media studies · Political economy · Political science · Politics · Power (physics · Race (biology · Sociology · Solidarity · Soul · Theology · White (mutation · White supremacy · African studies and sociopolitical issues · Gender Studies · History · Law · Music History and Culture · Race, History, and American Society

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Velocidade de citaçãohistorical
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