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Crimes, Confession and the Everyday

Challenges in Reading Charlotte Salomon’s Leben? oder Theater? 1941–1942

Dados Bibliográficos

ID21158130
AutoresG Pollock (0000-0002-6752-2554, autor correspondente)
Ano2014
Volume13
Fascículo2
Páginas200-235
Data de publicação2014-08-01
Peer ReviewedSim
Open AccessSim
TipoARTICLE
PeriódicoJournal of Visual Culture (JOURNAL)
Identificadores do periódicoISSN: 1470-4129 • E-ISSN: 1741-2994
EditoraSAGE Publications (PUBLISHER • US)
DOI10.1177/1470412914532319
OpenAlexW2110892881
IdiomaEN
Citações recebidas3
Referências citadas8

Charlotte Salomon (1917–1943) was a Jewish-German artist murdered in Auschwitz at the age of 26. She left one massive artwork comprising 784 paintings with text, music and overlays. What is this work? Why was it made? Since its first exhibition and publication in the 1960s it has been treated as an autobiographical narrative and Holocaust testimony. Resisting both trends, this article reframes the work in terms of gender, the event and the everyday in order to examine the implications of a recent revelation, in a film form (2012), of new evidence that the work structurally functions as a crime narrative, even a confession, in the context of familial sexual abuse. Drawing on Pierre Bayard on detective fiction and Derrida on the archive, the article juxtaposes the visual rhetoric of Frans Weisz’s 2012 film and the visual rhetoric of several key sections of Salomon’s audio-visual Life? or Theatre?, to tease out the visual evidence for this claim

Art · Art history · Linguistics · Literature · Narrative · Painting · Revelation · Rhetoric · The Holocaust · Theology · Visual arts · Cinema and Media Studies · European history and politics · German History and Society · History · Philosophy

  • Mimetic Violence and Sacred Performance in Charlotte Salomon’s Leben? oder Theatre

    Ben Wexler•Naharaim•2026

  • Something Completely Mad and Extraordinary

    Sonia Arriba, Sonia Arribas et al.•Angelaki•2025

  • Unchain My Anguish

    Open Access•Tania L Abramson•Feminist Review•2019

  • Soul Murder

    Leonard Shengold•Soul Murder•1989

  • To Paint Her Life

    Ruth Weisberg, Mary Lowenthal Felstiner•Woman s Art Journal•1996

  • Charlotte Salomon’s Memory Work in the “Postscript” to Life? or Theatre

    Julia Watson•Signs: Journal of Women in…•2002

  • What Does a Woman Want? Art Investigating Death in Charlotte Salomon's Leben? Oder Theater

    Open Access•G Pollock•Art History•2007

  • Freud's Moses

    Open Access•Theodore Shapiro•Journal of the American…•1994

  • Everyday life in the modern world

    Henri Lefebvre•Everyday life in the modern world.•1971

Obras citantes distintas3
Citações por ano0,43
Intervalo de citações2019 - 2026 (8)
Velocidade de citaçãocurrent
Altamente citadoNão
Tipos de citaçãoNeutras: 3
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