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Student-directed learning in popular musicianship

An action research study of university music students

Dados Bibliográficos

ID21490106
AutoresR H Woody (0000-0002-5175-975X, University of Nebraska–Lincoln, autor correspondente)
Ano2024
Volume42
Fascículo1
Páginas3-16
Data de publicação2024-02-01
Peer ReviewedSim
Open AccessSim
TipoARTICLE
PeriódicoInternational Journal of Music Education (JOURNAL)
Identificadores do periódicoISSN: 0255-7614 • E-ISSN: 1744-795X
EditoraSAGE Publications (PUBLISHER • US)
DOI10.1177/02557614231152307
OpenAlexW4319785711
IdiomaEN
Citações recebidas2
Referências citadas31

This action research study provides insight into the learning of university music education students who participated in a popular musicianship experience. The participants were thirty-four music education students (i.e. pre-service music educators) at an American university enrolled in a student-directed Popular Musicianship course. Although given access to “rock band” instruments and sound equipment during the semester-long experience, they did not receive any direct instruction from the faculty instructor of record. After organizing into bands, the participants were challenged to prepare for performance two or three songs, including one cover and one original song. They also indicated the confidence they had in their ability to lead their future students in popular music making. This measure of self-efficacy was collected at the beginning, middle, and end of the experience. Also, participant written descriptions of their experiences was analyzed qualitatively. The findings of the study indicated that participants believed their overall musicianship benefited from the experience due to the challenging nature of vernacular music making, which was also enjoyable and rewarding. The experience also appeared to impact their teaching philosophies for the future. Finally, their self-efficacy increased significantly across the experience

Action research · Mathematics education · Music education · Pedagogy · Vernacular · Diverse Music Education Insights · Music Therapy and Health · Neuroscience and Music Perception · Psychology

  • “Once We Found Our Groove, . . .”

    Open Access•Julie Myung Ok Song, David Tyson•Journal of Music Teacher Education•2025

  • Inclusive music teacher education

    Open Access•Rhonda J Fuelberth, Rhonda Fuelberth et al.•International Journal of Music…•2025

  • Large Ensemble Teachers’ Support for Popular Music Courses in High Schools

    Open Access•David M Rolandson, Daniel R Conn•Journal of Music Teacher Education•2022

  • Music education students’ intrinsic and extrinsic motivation

    Open Access•R H Woody•Psychology of Music•2021

  • Integrating popular music into urban schools

    Open Access•Hal Abeles, Lindsay Weiss-Tornatore et al.•International Journal of Music…•2021

  • Popular music and Modern Band principles

    Bryan Powell, Scott Burstein•Routledge Research Companion to…•2017

  • Collaborative Composing in High School String Chamber Music Ensembles

    Open Access•Michael Hopkins, Michael T Hopkins•Journal of Research in Music…•2014

  • Student Musicians’ Ear-Playing Ability as a Function of Vernacular Music Experiences

    Open Access•R H Woody, A Lehmann et al.•Journal of Research in Music…•2010

  • A Comparison of “Popular Music Pedagogy” Discourses

    Open Access•Roger Mantie•Journal of Research in Music…•2013

  • Qualitative inquiry and research design

    John W Creswell•Qualitative inquiry and research…•2013

  • Mutual Learning and Democratic Action in Instrumental Music Education

    Open Access•Randall Everett Allsup•Journal of Research in Music…•2003

  • Of Garage Bands and Song-getting

    Open Access•Patricia Shehan Campbell•Research Studies in Music Education•1995

  • Determining Validity in Qualitative Inquiry

    John W Creswell, Dana L Miller•Theory Into Practice•2000

Obras citantes distintas2
Citações por ano2
Intervalo de citações2025 - 2025 (1)
Velocidade de citaçãorecent
Altamente citadoNão
Tipos de citaçãoNeutras: 2
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