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Contesting and reshaping learning spaces

Students’ activism in South Africa

Dados Bibliográficos

ID21714865
AutoresA Daniel (0000-0003-2637-1769, autor correspondente)
Ano2021
Volume2021
Fascículo3
Páginas16-21
Data de publicação2021-11-25
Peer ReviewedSim
Open AccessSim
TipoARTICLE
PeriódicoZEP – Zeitschrift für internationale Bildungsforschung und Entwicklungspädagogik (JOURNAL)
Identificadores do periódicoISSN: 1434-4688 • E-ISSN: 2699-5549
EditoraWaxmann (PUBLISHER • DE)
DOI10.31244/zep.2021.03.04
OpenAlexW4200189770
IdiomaEN
Referências citadas20

Universities in South Africa are a microcosm of society and thus offer grounds for criticism. In 2015, the Rhodes Must Fall student movement emerged, which demanded decolonization. This movement became one of the most important social movements in post-apartheid South Africa. While the student movement was formed to protest against the university, students created a space for transformative learning within the frame of the university. This article examines the ambivalence of the university: on the one hand, as a target of criticism and as a space for experimentation and reflection on society and societal change; and, on the other hand, as a space for emerging collective processes of transformative learning which created alternative knowledge, for instance in respect of decolonization and thus also discrimination, racism and marginalization

Ambivalence · Criticism · Decolonization · Pedagogy · Political science · Politics · Racism · Social movement · Sociology · Transformative learning · Adult and Continuing Education Topics · African cultural and philosophical studies · Gender Studies · Higher Education Practises and Engagement · Law · Psychology · Social Psychology

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    Susan Booysen•Fees Must Fall•2018

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    Open Access•Sarah Thomsen•Bildung in Protestbewegungen•2019

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    Theo Neethling•Politikon•2018

  • Black students' experiences of transformation at a previously "white only" South African university

    Josephine Cornell, Shose Kessi•Ethnic and Racial Studies•2017

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