Two faces of mystification
The representation of the holocaust in Arnold Schoenberg's a survivor from Warsaw and Steve Reich's different trains
Dados Bibliográficos
| ID | 21716705 |
|---|---|
| Autores | Vera Mevorah (0000-0002-4313-475X, Institute for Philosophy and Social Theory, University of Belgrade, Belgrade, Serbia, autor correspondente) |
| Ano | 2022 |
| Fascículo | 32 |
| Páginas | 183-198 |
| Data de publicação | 2022-01-01 |
| Peer Reviewed | Sim |
| Open Access | Sim |
| Tipo | ARTICLE |
| Periódico | Muzikologija (JOURNAL) |
| Identificadores do periódico | ISSN: 1450-9814 • E-ISSN: 2406-0976 |
| Editora | National Library of Serbia (PUBLISHER • RS) |
| DOI | 10.2298/muz2232183m |
| OpenAlex | W4285018893 |
| Idioma | EN |
| Referências citadas | 16 |
The paper discusses the approaches of different media to Holocaust (re)presentation, with special reference to art music in the 20th century. Following the classification proposed by Michael Rothberg on two possible perspectives for representing the Holocaust: realistic and anti-realist (2000), we analyse two compositions: Arnold Schoenberg?s A Survivor From Warsaw (1947) and Steve Reich?s Different Trains (1988). The aim of the paper is to point out how artistic music reflects and participates in the dominant historical and contemporary discourses of Holocaust representation, especially the discourses of ?heroism? and ?non-representability
Aesthetics · Art · Art history · Literature · Political science · Politics · Psychoanalysis · Sociology · The Holocaust · Theology · Diverse Musicological Studies · History · Law · Music History and Culture · Musicology and Musical Analysis · Philosophy · Psychology
| Velocidade de citação | historical |
|---|---|
| Altamente citado | Não |