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Militant Translationality and the Language of the Barricades

Sean Bonney in Mexican Spanish

Dados Bibliográficos

ID21722366
AutoresHugo García Manríquez (SLE, Stanford University, Stanford, CA, USA), Daniel Eltringham (0000-0001-7001-3438, English, University of Sheffield, Sheffield, UK of Great Britain and UK, autor correspondente), Fred Carter (0009-0009-1933-1399, English, University of Glasgow, Glasgow, UK of Great Britain and UK)
Ano2023
Volume27
Fascículo1
Páginas109-128
Data de publicação2023-01-02
Peer ReviewedSim
Open AccessSim
TipoARTICLE
PeriódicoGreen Letters (JOURNAL)
Identificadores do periódicoISSN: 1468-8417 • E-ISSN: 2168-1414
EditoraInforma UK Limited (PUBLISHER • GB)
DOI10.1080/14688417.2023.2250806
OpenAlexW4388830442
IdiomaEN
Referências citadas8

This hybrid, creative-critical, polyvocal work presents a short selection of the late British poet Sean Bonney’s discursive prose-poetry and theory that thinks through the terms of militant poetics, in English and in the Mexican poet and translator Hugo García Manríquez’s Spanish translation, El lenguaje de las barricadas [The Language of the Barricades]. These texts are prefaced by an English-language translation of García Manríquez’s introduction to his translations. A critical postface by Militant Ecologies special issue editors Daniel Eltringham and Fred Carter contextualises these translations in terms of the twenty-first century emergence of militant ‘translationality’, suggesting that Bonney’s theorisation of both the riot-form and the counterinsurgent microclimate of sensory derangement provoked by teargas is bound up with his reluctance to consider his own versions of nineteenth-century French poets Arthur Rimbaud and Charles Baudelaire as creative translations. Yet translating Bonney’s work into Latin American scenarios of struggle including Mexico, Chile and Peru allows the translational thread leading from Rimbaud and the Paris Commune – through Bonney’s work – to be woven with García Manríquez’s own recent poetry, which inflects Bonney’s riotous joy with deeper temporalities of anticolonial and indigenous revolt

Archaeology · Art · Art history · Colonialism · Creole language · Garcia · Humanities · Indigenous · Linguistics · Literature · Militant · Poetics · Poetry · Political science · Politics · Cultural and Social Studies in Latin America · History · Law · Philosophy

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