Drawing Blanks
Word and Image at the Expositions des Incohérents
Dados Bibliográficos
| ID | 21728554 |
|---|---|
| Autores | Greg Kerr (0000-0001-9515-9425, University of Glasgow, autor correspondente) |
| Ano | 2022 |
| Volume | 26 |
| Fascículo | 2 |
| Páginas | 57-73 |
| Data de publicação | 2022-04-03 |
| Peer Reviewed | Sim |
| Open Access | Sim |
| Tipo | ARTICLE |
| Periódico | Dix-Neuf (JOURNAL) |
| Identificadores do periódico | ISSN: 1478-7318 • E-ISSN: 1478-7342 |
| Editora | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/14787318.2022.2083924 |
| OpenAlex | W4283024374 |
| Idioma | EN |
| Referências citadas | 7 |
In the early 1890s, Jules Lévy organised a series of artistic exhibitions under the title of Les Arts Incohérents. Affiliated with Montmartre cabaret culture, the events lampooned the conventions of the Parisian salons and the conventions and institutions of the fine arts.This article explores the importance of the figure of the blank in a selection of art exhibited by the Incohérents. Adopting a word-and-image-based approach, and drawing on theories of comedy and laughter, the article shows how the Incohérents' incipient avant-gardism interrogates the limits of the different arts and points to a novel inflection of humour in the period
Art · Art history · Blank · Comedy · Economic rent · Economics · Exhibition · Laughter · Literature · Sociology · The arts · Visual arts · Engineering · French Literature and Criticism · Historical and Literary Studies · Historical Studies and Socio-cultural Analysis
| Velocidade de citação | historical |
|---|---|
| Altamente citado | Não |