The emergence of contemporary dance in Africa. A history ofDanse l'Afrique danse!biennale
Dados Bibliográficos
| ID | 2173134 |
|---|---|
| Autores | Altaïr Despres (CESSP – European Center of Sociology and Political Science, University Paris 1 Panthéon-Sorbonne, Paris, France) |
| Ano | 2019 |
| Volume | 31 |
| Fascículo | 3 |
| Páginas | 334-351 |
| Data de publicação | 2019-09-02 |
| Peer Reviewed | Sim |
| Open Access | Não |
| Tipo | ARTICLE |
| Periódico | Journal of African Cultural Studies (JOURNAL) |
| Identificadores do periódico | ISSN: 1369-6815 • E-ISSN: 1469-9346 |
| Editora | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/13696815.2016.1268951 |
| OpenAlex | W2567189182 |
| Idioma | EN |
| Citações recebidas | 3 |
| Referências citadas | 14 |
This essay focuses on the history of the Danse l’Afrique danse! biennale. Created by the French Cultural Cooperation in 1995, this festival is now considered the most important pan-African contemporary dance event. It constitutes a privileged site through which to examine the development of such a choreographic discipline on the African continent, from both political and artistic perspectives. Based on an analysis of the French Ministry of Cooperation’s records, in-depth interviews with professionals and artists involved in the festival and the ethnography of two festival editions, this paper reveals how Western institutions have left their mark on the production of African contemporary dance. Drawing on Bourdieu’s theory of the ‘field’, I argue that, to conquer the international market, dancers have to connect the dominant and legitimate aesthetic currents of the field of contemporary dance that were created in the West with the staging of an urban African identity, in order to distinguish themselves in this very competitive art field. The effect of this, I show, is that African dancers were at times the anonymous instruments of the renewal of French contemporary dance
Aesthetics · Art · Concert dance · Contemporary dance · Dance · Ethnography · Identity (music · Political science · Politics · Sociology · Visual arts · African Studies and Ethnography · Anthropology · Cultural Identity and Heritage · Gender Studies · History · Law · Migration, Identity, and Health
The Invention Of Tradition
Danser
Se faire contemporain
The Rules of Art
Under Fire
Dance Circles
An invitation to reflexive sociology
La mise en spectacle de l’identité nationale
À propos des écritures africaines de soi
L'Afrique appropriée
Les trois états du capital culturel
Is the Post- in Postmodernism the Post- in Postcolonial
Techniques of the body∗
Create Your Space!' Locating Contemporary Dance in Ouagadougou
| Obras citantes distintas | 3 |
|---|---|
| Citações por ano | 0,43 |
| Intervalo de citações | 2019 - 2025 (7) |
| Velocidade de citação | recent |
| Altamente citado | Não |
| Tipos de citação | Neutras: 3 |