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Embodying Milpa

Centering Place to Cultivate Polycultures of Reciprocity in Learning Environments

Dados Bibliográficos

ID21778832
AutoresDaniel Gallardo (0000-0003-1534-6592, University of British Columbia, autor correspondente)
Ano2023
Volume18
Fascículo2
Páginas70-83
Data de publicação2023-12-24
Open AccessSim
TipoARTICLE
PeriódicoJournal of Contemporary Issues in Education (JOURNAL)
Identificadores do periódicoISSN: 1718-4770 • E-ISSN: 1718-4770
EditoraUniversity of Alberta Libraries (PUBLISHER)
DOI10.20355/jcie29580
OpenAlexW4390905314
IdiomaEN
Referências citadas5

Milpa is an ancestral agriculture technique that has been passed down by Indigenous communities in so-called North America for millennia through stories of place. As an Indigenous knowledge system that is based on the symbiotic cultivation of diverse species, learning from milpa gifts lessons to cultivate polycultures of reciprocity. Drawing from my lived experience as a Mestizx educator from Mexico, I propose embodying milpa in learning environments as a horizon of possibility to refuse and disrupt the ways in which education has been limited, standardized, controlled and confined to colonial monocultures (Shiva, 1993). I use the cultivation of milpa as a metaphor to represent the transformation of modernist education systems that prioritize individuality and rationality shifting towards collaborative learning environments that are complex, messy and entangled with the land. Late Indigenous Professor Michael Marker (2018) invites scholars to center place as the beginning point of inquiry when excavating the specific effects of colonization on Indigenous landscapes and communities. Following his advice, I use stories of milpa to experience placeness and provide a representation of the transformation of modernist education systems through the resurgence of Indigenous knowledge systems. I begin this paper with a piece of the Mexica creation story to center “the consciousness of landscape” (p. 453) and continue to explain how from a modern perspective, place has shifted to produce bordered monocultures that eradicate diversity. I conclude by narrating the story of three sisters to envision the embodiment of milpa inside learning environments to form polycultures of reciprocity where animate and inanimate beings are all connected inside a web of relations belonging to the land

Aesthetics · Archaeology · Art · Biology · Colonialism · Environmental ethics · Episteme · Indigenous · Metaphor · Social science · Sociology · Traditional knowledge · Anthropology · History · Indigenous Cultures and Socio-Education · Philosophy · Ecology

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