Erasing Diversity

Mediating Class, Place, Gender and Race in The Moorside

Dados Bibliográficos

ID21785035
AutoresDavid Forrest (0000-0003-0565-3396), Beth Johnson (0000-0001-7808-568X)
Ano2020
Volume17
Fascículo1
Páginas91-111
Data de publicação2020-01-01
Peer ReviewedSim
Open AccessSim
TipoARTICLE
PeriódicoJournal of British Cinema and Television (JOURNAL)
Identificadores do periódicoISSN: 1743-4521 • E-ISSN: 1755-1714
EditoraEdinburgh University Press (PUBLISHER • GB)
DOI10.3366/jbctv.2020.0509
OpenAlexW2990537412
IdiomaEN
Citações recebidas5
Referências citadas12

This article is focused on the 2017 BBC drama, The Moorside. Over two episodes, it revisits the events surrounding the ‘disappearance’ of Shannon Matthews, a nine-year-old schoolgirl from Dewsbury in West Yorkshire, with the drama culminating in the arrest of Shannon's mother, Karen, on charges of child neglect and perverting the course of justice. We identify the events depicted in The Moorside and, in particular, the media's framing of them, as central to the formation of pervasive and corrosive narratives of ‘broken Britain’. In revisiting the Matthews case, The Moorside re-animates and, we argue here, further perpetuates these discourses by rendering them through highly constructed and reductive frameworks of class, place, gender and race. Our analysis considers the textual strategies at work in the drama, some of its key intertexts, questions of diversity – in class terms – within the BBC, and the role of Sheridan Smith, The Moorside's ‘star’, as a conduit for narratives of regional and social identity

Art · Drama · Literature · Media studies · Narrative · Sociology · Gender Studies · History · Night-time city culture · Urban Planning and Governance · Urban, Neighborhood, and Segregation Studies