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Transition and Translation of Free Indirect Discourse in Chinese Literature

Dados Bibliográficos

ID21807375
AutoresYixin Liu (0009-0009-0837-8298, University of Edinburgh, autor correspondente)
Ano2021
Volume11
Fascículo9
Páginas983-989
Data de publicação2021-09-01
Peer ReviewedSim
Open AccessSim
TipoARTICLE
PeriódicoTheory and Practice in Language Studies (JOURNAL)
Identificadores do periódicoISSN: 1799-2591 • E-ISSN: 2053-0692
EditoraAcademy Publication (PUBLISHER • GB)
DOI10.17507/tpls.1109.02
OpenAlexW3197922123
IdiomaEN
Referências citadas12

Free indirect discourse (FID) is a discourse presentation pattern of third-person narration, and it is often employed as a common narrative strategy to present characters’ consciousness in literary works. Given its ambiguous link with both the narrator’s and character’s discourse, we may feel confused about how to distinguish FID from other discourse when reading a text. After introducing the basic definition of this notion, this paper will interpret several signals which can help to distinguish FID passages in the text. Most importantly, this paper will look at how FID passages in Western literary works were translated into Chinese in early works, and then explore the development of FID in early Chinese fiction, investigating the transition of FID in Chinese

Art · Consciousness · Epistemology · Linguistics · Literature · Narrative · Sociology · Chemistry · Language, Metaphor, and Cognition · Mathematics · Narrative Theory and Analysis · Natural Language Processing Techniques · Philosophy

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Velocidade de citaçãohistorical
Altamente citadoNão
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