Introduction
Steely Dan at 50
Dados Bibliográficos
| ID | 21836398 |
|---|---|
| Autores | Michael Borshuk (0000-0002-3326-2280, Texas Tech University, autor correspondente) |
| Ano | 2022 |
| Volume | 9 |
| Fascículo | 3 |
| Páginas | 249-264 |
| Data de publicação | 2022-09-02 |
| Open Access | Não |
| Tipo | ARTICLE |
| Periódico | Rock Music Studies (JOURNAL) |
| Identificadores do periódico | ISSN: 1940-1159 • E-ISSN: 1940-1167 |
| Editora | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/19401159.2022.2008165 |
| OpenAlex | W4200560841 |
| Idioma | EN |
| Referências citadas | 8 |
This essay provides an overview of the many themes that Steely Dan at 50 observes by revisiting the group’s history and distinct musical concept as crafted by Steely Dan’s architects, songwriters Walter Becker and Donald Fagen. Considering Steely Dan’s music and its wide-ranging effects, I historicize their relationship to other genres and their legendary fixation on recording perfection, while I also draw connections to other aspects of the 1970s American culture in which they attained fame. Finally, I contemplate Steely Dan’s relationship to audience across identities, thinking intersectionally to interrogate the slipperiness of their ongoing engagement with race and gender
Aesthetics · Art · Art history · Epistemology · Perfection · Visual arts · Engineering · Music History and Culture · Musicology and Musical Analysis · Philosophy · Theater, Performance, and Music History
| Altamente citado | Não |
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