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One Step Forward, Three Steps Back

Picturing Working Men and Women in New Deal Government-Sponsored Art

Dados Bibliográficos

ID22010168
AutoresGabrielle Wills (0000-0001-8040-474X, Stetson University, autor correspondente)
Ano2026
Data de publicação2026-02-27
Peer ReviewedSim
Open AccessSim
TipoARTICLE
PeriódicoArmstrong Undergraduate Journal of History (JOURNAL)
Identificadores do periódicoISSN: 2163-8551 • E-ISSN: 2163-8551
EditoraGeorgia Southern University (PUBLISHER • US)
DOI10.20429/aujh.2026.160103
OpenAlexW7133299437
IdiomaEN

The Depression era introduced both unprecedented and reoccurring anxieties that deeply affected average Americans. The question of how to respond aesthetically to major issues of economy, social instability, and an unsure future led artists to follow a canon of popular art that pointed to the idealized solidarity of an American people bonded by an imagined national community. Government-sponsored artists distilled ideals of national identity and unity in their depictions of working men and women, ignoring regional tensions and differences that had once divided the nation into disparate entities

Ambivalence · National identity · New Deal · Solidarity · Art Education and Development · Art History and Market Analysis · Art, Politics, and Modernism

Velocidade de citaçãohistorical
Altamente citadoNão
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