Performativity without theatricality
Experiments at the limit of staging AI
Dados Bibliográficos
| ID | 22112508 |
|---|---|
| Autores | Douglas Eacho (0000-0002-8830-7204, University of Toronto, autor correspondente) |
| Ano | 2023 |
| Volume | 9 |
| Fascículo | 1-2 |
| Páginas | 20-36 |
| Data de publicação | 2023-04-03 |
| Peer Reviewed | Sim |
| Open Access | Não |
| Tipo | ARTICLE |
| Periódico | Theatre & Performance Design (JOURNAL) |
| Identificadores do periódico | ISSN: 2332-2551 • E-ISSN: 2332-2578 |
| Editora | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/23322551.2023.2210989 |
| OpenAlex | W4385366284 |
| Idioma | EN |
| Citações recebidas | 2 |
| Referências citadas | 31 |
Referencing participant observation in a research-creation lab devoted to performance and artificial intelligence (AI), this article summarizes and intervenes within two discourses surrounding the performativity of computation. I first summarize the media-theoretical debate over whether or not electronic computation counts as what J. L. Austin and Jacques Derrida defined as ‘performative’. This turns out to be a divide over the politics of theoretical analysis, and as such these positions can be synthesized together. Relying on Samuel Weber’s concept of ‘theatricality’, I set out a novel proposal for understanding computation as representing a limit of performativity without theatricality. Secondly, I review the experiments conducted with staging recent machine-learning models within the University of Toronto’s BMO Lab. A scholarly tradition distinct from the above has turned to a ‘metaphysical performativity’, describing all reality as performatively animate rather than representational and inert; some have pointed to recent AI developments as a demonstration of the truth of this view. I dissent, with evidence from the aesthetic experience of watching AI performance. Finally, I critique the ideology implicit in theories that take the appearance of AI animacy as a model for social reality
Aesthetics · Art · Dissent · Epistemology · Ideology · Performance studies · Performative utterance · Performativity · Politics · Sociology · Anthropology · Cybernetics and Technology in Society · Embodied and Extended Cognition · Philosophy · Posthumanist Ethics and Activism
Theatricality as Medium
The Cybernetic Brain
My Mother Was a Computer
How To Do Things With Words
Alien Agency
Labor and Monopoly Capital
Automation Is a Myth
Intellectual and Manual Labour
On the Mode of Existence of Technical Objects
Reassembling the Social
Automation and the Future of Work—2
New Materialism and the Labor Theory of Value
New Materialisms and Performance Studies
Automating Inequality
The Cyber-Homunculus
Alienation and Freedom
Becoming-Animate
Without Alibi
The Mangle of Practice
| Obras citantes distintas | 2 |
|---|---|
| Citações por ano | 1 |
| Intervalo de citações | 2024 - 2024 (1) |
| Velocidade de citação | recent |
| Altamente citado | Não |
| Tipos de citação | Neutras: 1 |