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Nowe, czyli jakie? Portret amerykańskiego dziennikarstwa w reportażach Huntera S. Thompsona

Dados Bibliográficos

ID22128262
AutoresEdyta Żyrek-Horodyska (0000-0002-7276-1736, Jagiellonian University, autor correspondente)
Ano2021
Fascículo8
Páginas421-448
Data de publicação2021-01-01
Open AccessSim
TipoARTICLE
PeriódicoZałącznik Kulturoznawczy (JOURNAL)
Identificadores do periódicoISSN: 2392-2338 • E-ISSN: 2451-4233
EditoraCardinal Stefan Wyszynski University in Warsaw (PUBLISHER • PL)
DOI10.21697/zk.2021.8.21
OpenAlexW4205512507
IdiomaEN
Referências citadas1

The main purpose of this article is to present the key features of the New Journalism outlined in Hunter S. Thompson’s reportages. The research is focused on such texts as Hell’s Angels, Fear and Loathing in Las Vegas and The Kentucky Derby Is Decadent and Depraved. In these reportages the reader can find reflections related to the journalist’s profession. The American reporter repeatedly confronts ‘the old press’ with the ways of working typical for ‘the new journalists’. According to Portret Nowego Dziennikarstwa Thompson, the New Journalism is immersive, full of emotional tone, subjective, focused on details. It uses the techniques typical for literary forms

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